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      "body": "http://thefader-res.cloudinary.com/private_images/w_1440,c_limit,f_auto,q_auto:best/brockhampton_empire_zyf9uk/members-of-brockhampton.jpg\n\n\nBy: Brandon Ben \n\n@brandonben \n\n \n\nBrockhampton is a hip-hop group initially formed in San Marcos, Texas, but currently based in California. They are a self-professed, “American Boy Band.” The group consists of many very creative individuals including rappers, art-directors, producers, photographers, and more. I had only heard of the group before and passed them off until I saw their interview with Nardwuar (check it out below). After I saw the creativity, humor, and passion from this group, I began to listen to their music. From then on, I was hooked. Let’s break down the members. \n\n \n\nKevin Abstract: Rapper, founding member. Kevin hints at his sexuality in the Narduwar interview, stating that Dr. Dre did a lot for LGBT rappers back in the day. If you listen to his lyrics, he talks about his sexuality a lot, and often points out that not many rappers talk about being gay. \n\n \n\nAmeer Vann: Rapper. Ameer seems quite personable, plus he’s on all of the album covers. He’s a long-time friend of Kevin, and a core member for sure.  \n\n \n\nMatt Champion: Vocalist. A very versatile singer, he adds a lot of personality to the group. Check out the track “BOYS” to hear him shine.  \n\n \n\nJabari Manwa and Kiko Merley: Producers. These dudes are a duo known as Q3. During the Nardwuar interview, Kiko was not actually present, luckily Narduwar brought in a photo of the man. Jabari was, and he shared that he was almost not a member of the boyband. It wasn’t until he impressed Kevin with some “hard beats” that he jumped onboard.  \n\n \n\nAshlan Grey and Henock “HK” Sileshi: Photographer and Creative/Art Director. Clearly, art is important to the image of Brockhampton, and you can see it in their videos, and the album art. These guys help the group be more than just a band, but a group of influential individuals.  \n\n \n\nMarlyn Wood: Rapper. Quite the quirky individual, an important voice in the band. He may be a funny rapper, but he’s also very meaningful. Listen to him on “MILK.” \n\n“Walking through the pit falls of a college student/Crazy how you get them letters and that make you feel accepted/Til you walking ’round the campus and you the only African” \n\n \n\nBearface: Singer and Producer. This dude is from Ireland, which was quite surprising to me. To me, he adds a certain flavor to the group, I mean, he goes by Bearface!  \n\n \n\nRobert Ontinient: Web developer and Producer. Robert is a self-proclaimed “utility player.” Its cool that they list their webmaster as a member. Goes to show the importance of everyone in the group. \n\n \n\nRomil Hemnani: Producer. He is an important contributor to the sound of Brockhampton as he produced a lot of SATURATION as well as the early work of Kevin Abstract. He’s also a very excited and spunky individual, check him out in the interview with Nardwuar!  \n\n \n\nDom McLennon: Singer, Rapper, producer. A huge contributor to lyrics. He tackles a lot of issues regarding mental health. Listen to “TRIP.”  \n\n“Everybody smilin’, I don’t see what’s funny \n\nEverybody friends, guess I wasn’t lucky \n\nFamily full of athletes, I was kind of chubby \n\nShit was never sunny, wrists were sorta bloody \n\nLick my wounds with honey, save me for the vultures \n\nI’m fallin’ in the void, I don’t know what I discover” \n\n \n\nJOBA: Singer, producer, engineer. Another high school friend of the group, he is quite the talented musician with actual music theory training. He sings on many of the tracks and gives a very interesting sound. To hear him sing, check out the track “SISTER.” \n\n \n\nSo, Brockhampton is full of a diverse bunch of young, genre bending, talented musicians, rappers, singers, producers, etc. They are kind of like Odd Future, and there’s no doubt that Odd Future has influence the group, but, they seem to be more artistic, and more emotionally driven. It’s a refreshing take on today’s rap and popular music world. These guys aren’t going anywhere.  \n\n \n\n \n\nSources: \n\nhttp://www.thefader.com/2017/07/13/brockhampton-members-kevin-abstract-interview-saturation \n\nhttps://www.youtube.com/watch?v=xaqwV7jisic",
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      "body": "![Lil-Pump-press-photo-2017-credit-Nabil-Elderkin-billboard-1548.jpg](https://steemitimages.com/DQmR2aM3VYSs78SjtMAFPpHTnWFS3SSBUsjNJMVc3mSsBpY/Lil-Pump-press-photo-2017-credit-Nabil-Elderkin-billboard-1548.jpg)\n\nBy Andrew Ho\n\nInternet meme and sensation Lil’ Pump has just released his first full-length studio album in late October of 2017. But as it is only 36 minutes in length, it just qualifies as a full-length album. The self titled work features many of his prior SoundCloud releases along with other new recordings. This alone is amazing for a teenager, so props to him! He has also managed to pull together a feature list of respectable artists beyond his childhood friend and frequent collaborator Smokepurpp: an almost irrelevant 2Chainz, an asthmatic sounding Rick Ross, and even a new and improved Gucci Mane all appear on his debut release. Yet, even with the support from big-name artists and skilled producers, it is still undeniable that Lil’ Pump still has a long way to go before he will garner the respect from the industry he ultimately deserves.\n\nIf you’re into memes with excessive audio distortion or 15 consecutive hype up tracks suitable for a pre-drinking event with lyrics that are chantable and memorizable even for the most intoxicated of days, then Lil’ Pump really has something going for you. He is loud even when you have the volume turned down (which is an astonishing feat on its own), shameless, and undeniably full of energy and bravado. Perhaps this, in part, has to do with his age, but unfortunately, he is still quick to dismiss the progress his fellow SoundCloud lineup has recently done for hip-hop. Whereas artists like Playboy Carti, Lil Peep (god bless his soul), and even convicted felon XXXTentacion have repeatedly pushed the limits of where hip-hop lies, Lil’ Pump over glorifies the now. He is proficient at not only conglomerating but also over-exaggerating all of the catchiest traits of the status quo. Ultimately, Lil’ Pump is no Kanye and couldn’t care less about art. Instead, he is eager to sing about his ludicrously expensive watches ($100K on his wrist), his oversized chain, his lack of respect for any company (WestJet in particular), his lean, his youth, and his trigger happy antics. He’s proud that he’d rather spend on Balmains than his partners, but again, what more could one expect from a teenager?\n\nIt is unfortunate that his immaturity as a lyricist seeps through into his performance; he finds himself having difficulty saying anything of substance and resorts to chanting the chorus to fill up what would otherwise be silence. Take the track Crazy, one that lasts 2 minutes and 5 seconds, or a whole 125 seconds. Out of that, he is chanting “Jump in this bitch and go crazy” for a whole 53 seconds. That’s 42% of the track where he is just chanting his chorus! On the following track, Back, Pump does much of the same where 50% of the time he is chanting “Throw it back, yeah”. Even when given a verse, he is outdone by his feature Lil’ Yatchy as Pump ends up struggling and doubling up his rhymes instead:\n\n\n\n“In the kitchen whippin’ up babies, ooh\n\nIn the kitchen whippin’ up babies, yeah\n\nAnd I got a bitch named Hailey, huh\n\nAnd I got a bitch named Hailey (brr)”\n\n\n\nLil’ Pump defines what it means to be a SoundCloud rapper by bringing together all of the hottest hip hop trends: Lil Uzi Vert’s and Yatchy’s hair, cartoon-y album covers, the most potent narcotics, and even down to their hooks. Where he lacks in lyricism, he makes up for with his ad libs. His oohs, okays, ayys, brrs, and whats are undeniably catchy and at times, outright comical. He is a genius when it comes to these tricks. Take, for example, a line out of D Rose, a track originally off his SoundCloud account and later worked into Lil’ Pump. He raps:\n\n\n\n“I just fucked your bitch (what?)\n\nI just broke my wrist (okay)\n\nI just fucked your bitch (ooh)\n\nI just fucked your bitch (okay)”\n\n\n\nHis creative wisdom shows itself in his ability to develop a plot mid-verse (a comedic one at that) by toying with call-and-response all by himself. Like this, he is able to keep his audience entertained even with his lacking lyricism, although it does ultimately call for excellent collaboration between him, producer, and sound engineer.\n\nPerhaps it is these traits which make artists like Lil’ Pump attractive to major game-changers like Gucci Mane who is apparently eager to part with $8 Million for him. As Pitchfork mentions, his punk-esque attitude, his incredible work ethics, and his marketing talents make him shine brightly amongst a sea of mediocre rappers. If this is truly the case, Gucci would have to come up with a roadmap to success to bring out the Iggy Pop in him or suffer the fate of being labelled a sell out to the hip-hop community for drooling over a cash grab. Likewise, this would be detrimental to Gucci’s own comeback to the game as the last thing he would want is to be remembered for glorifying the now and overlooking other artists with more potential and that live off more than just a meme.",
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      "body": "![](https://steemitimages.com/DQmWRBCzf4JRpTjcJWU4Am5WbJC2PYxjox5dg5bgqhhNaxb/image.png)\n\nBy: Brandon Ben\n\nInstagram @brandonbenmusic\nTwitter @brandonbenmusic\n\nBlack Panther: The Album is the soundtrack album for the new Marvel film Black Panther. This album is curated by Kendrick Lamar, thus, he is heavily prominent on the album. There are also many other artists featured on this album, many of which are from Top Dawg Entertainment (TDE for short). Interscope released this album on February 9th, 2018. Artists involved with this project include: SZA, ScHoolboy Q, 2 Chainz, Khlaid, Ab-Soul, Anderson .Paak, and even James Blake, among others. So, right away, I was looking forward to this release.\n\nConfession, I haven’t seen the movie yet, so I’m really just talking about this album purely based on the music. I understand that the film itself is important, for a variety of reasons, but I think the music needs to stand on its on! First impressions, if you’re a Kendrick fan, you’ll enjoy this album for sure. It’s quite different from his other albums though, which is okay for two reasons. 1. Kendrick always creates different music and blows listeners out of the water. Kendrick always takes risks, and usually doesn’t stick with one style entirely. 2. This album is not just Kendrick, its curated by Kendrick, and its associated with the film. So, it’s important to look at this album within that context. This album is not as “hardcore” as many of his other works, but as I said, it’s understandable.\n\n‘The Ways’ featuring Khalid and Swae Lee is a killer track. It has a pretty standard trap beat, with the smooth singing of Khalid over the top. Redemption with Babes Wodumo is an awesome track as well. The beat has a pretty solid calypso-reggaton kind of feel. But, my favorite track is Bloody Waters with Anderson. Paak, James Blake, and Ab-Soul; an unlikely group which got my very excited. This track, despite not being Kendrick, feels so Kendrick to me. Its smooth, simplistic, and of course, woke. If you examine Ab-Soul’s rhymes, he discusses the first time he witnessed a shooting.\n\nI had to be about 9 when I first had seen it\n\nLow lows pulled up outside of the Ralph’s\n\nAfter a car show at Dominguez\n\nThey had a disagreement, they had to air out\n\nBut this is just the tip of the iceberg. There is no doubt that this album is impactful, especially within the context of the Black Panther movie. In conclusion, the album stands on its own and I’m sure once I see the movie it’ll be even better. Please check this thing out!",
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      "body": "![](https://steemitimages.com/DQmPPi9z6WqcmPrpT87rwbCyNE22gSdWYh8GWMSZBthLeLP/image.png)\nBy Andrew Ho\n\nThe latest Kanye West album has been a hot topic for almost everyone. Over the past two years, The Life of Pablo has managed to garner attention from big players like The Rolling Stone and Pitchfork to non specific review-aggregators like The Verge and Metacritic. Even tabloids like USA Today and The Guardian have discussed this release. These news sources and review agencies have all been eager to contribute to the reception of Kanye’s new album, as he’s grown to become not just a top hip-hop artist of our generation, but arguably one of the most popular personas of our time. The expectations for Kanye, someone who has been active for twenty years, who has adopted and transcended multiple identities in hip hop community (i.e. the producer, the lyricist, the ghost writer, the feature…), is undeniably high. Having been involved with every step of the album’s production, Kanye has been able to provide his listeners with a little bit of everything we expect from him, such as flaunting his ability to lay down the tracks, write lyrics, choreograph videos, and finding excellent and relevant features. He has even taken the task of promoting his work on release day, which eventually caused a very cyberpunk-ish launch-day hiccup regarding the digital-only release of the work.\n\n \n\nAdmittedly for Kanye, all this hip-hop stuff would come easy to him. Unlike his prior works, Kanye is not attempting to change hip-hop’s status quo. In Life of Pablo, he is reflective, as he is taken aback by all that he has contributed to the industry. He details in I Love Kanye, an interlude, the blood, sweat, tears, and heart he’s put in for the industry as he personifies hip-hop as himself. Kanye goes between being boisterous to being calm and reflective. Ultralight Beam and Father Stretch My Hand, Pt. 1 are undeniably gospel-like. But soon after, Kanye defaults to trap, the industry standard as of late. To keep the listener interested, he creates a narrative with interludes, a lost art of some sorts due to changes in listening habits. Additionally, he does not shy away from making popular culture references, from mentioning Oprah’s seemingly philanthropic nature, to models bleaching assholes, to rapping about the sneaker craze that is bigger than ever.\n\nAt this stage of his career, one of Kanye’s biggest strengths are the connections he has within the industry. Manifested in Life of Pablo, this means that for every track there is a never-ending list of features. Because of his status as an innovator, many are eager to work with him. He has the latest and greatest features: Desiigner, Chance the Rapper, Young Thug, Chris Brown, The Weeknd, Ty Dolla Sign, Post Malone, Metro Boomin’, Boi 1da, and Kendrick Lamar. Yet, he is not ashamed to work with some of the more forgotten names too: Havoc from Mobb Deep, Kid Cudi, Madlib, and Swizz Beats. He even has access to production legends like Rick Rubin and uses all these talents to their fullest potential. Ultimately, in The Life of Pablo, Kanye proves that he has mastery over his sound. It is his ability to strike a balance between an amateurish and refined sound which makes it even remotely acceptable that he and Picasso are mentioned within the same sentence.",
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      "body": "See my posts and vote me I will upvote you 100 % back... Vote my 4 posts and get back 4 upvotes of power 39 100% \nTo vote me click my link and vote it... Only 30 sec get back upvotes 100%\nhttps://steemit.com/women/@faruqshaik04/a-mother-in-kansas-got-to-the-hospital-too-late-and-ended-up-giving-birth-in-the-corridor-5afc31a22592a\nhttps://steemit.com/quotes/@minhajhussain7/love-yourself-569ca4ccae1b5\nhttps://steemit.com/quotes/@aiyeshakhan/never-give-up-fe5d32c9d15a3\nUpvotes 👬",
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      "body": "By Brandon Ben\n\nInstagram @brandonbenmusic\nTwitter @brandonbenmusic\n\nHedley is a Canadian pop-rock band originating from British Columbia. If you’re Canadian, you’re probably familiar with this band, if you’re not Canadian, now you know! So lets get into this. Hedley is no longer being considered for three Juno Awards at this years event. If you’re not Canadian, the Junos are the Canadian music awards. Why you make ask? Well, sexual-misconduct allegations of course! The claims are being circulated anonymously on social media. \n\nDespite being blacklisted from radio stations (such as CBC), the band is going to continue on their tour. The band had released a statement saying that the accusations are “unsubstantiated” but did say that they “engaged in a lifestyle that incorporated certain rock ‘n’ roll cliches.” Two openers on their tour, Neon Dreams and Shawn Hook dropped out from this tour. \n\nThings aren’t super clear right now. But it seems like all of the parties are taking the appropriate steps involved. Clearly, no group or organization wants to be effected by these allegations, such as the Junos, or even these opening bands! Should the band be blacklisted? It’s clearly up to the people doing the blacklisting, so if they think that’s the necessary step to take, so be it. Should the band still tour? They can do whatever they want! If fans still want to pay to see them, then they can do that. There are other people relying on this band for income. However, they really need to sort these allegations out, whether they did or didn’t do it.  But that’s just my opinion, what’s yours?\n\nSource: http://www.cbc.ca/news/entertainment/hedley-junos-sexual-misconduct-allegations-1.4541935",
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      "body": "As popular as Halsey is, there are many articles, and videos talking about how much people hate her, love her, feel nothing. I am in the former... Her comments and being so flip floppy on the issues makes me think that she is a hypocrite. Yes issa rant. Buckle up boys and girls. \n\nWebsite: www.audioaddiction.ca\nInstagram: https://www.instagram.com/audioaddictionig/\nSnapchat: @stephannakamura\nFacebook: https://www.facebook.com/TheAudioAddiction/\nSteemit: https://steemit.com/@audioaddiction\n\nMusic By: www.bensound.com\nhttps://youtu.be/vtWjPhTnO5I",
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      "body": "Keep it Simple Stupid. That rule applies to everything in life including music videos. These forms of media are important. They help convey a message into a song, help more in engagement, its a marketing tool, but its expensive. But it doesn't have to be! \n\nhttps://youtu.be/bn9LOPMzDZs\n\nWebsite: www.audioaddiction.ca\nInstagram: https://www.instagram.com/audioaddictionig/\nSnapchat: @stephannakamura\nFacebook: https://www.facebook.com/TheAudioAddiction/\n\nMusic By: www.bensound.com",
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      "body": "Is Kris Wu going to save the music industry? Many would comment that the industry at the moment is pretty black and white, no pun intended. What are your thoughts on racial diversity in the music industry? \n\nhttps://youtu.be/NPMpWr00fcM\n\nWebsite: www.audioaddiction.ca\nInstagram: https://www.instagram.com/audioaddictionig/\nSnapchat: @stephannakamura\nFacebook: https://www.facebook.com/TheAudioAddiction/\n\nMusic By: www.bensound.com",
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      "author": "audioaddiction",
      "body": "Sza is one of my favourite NEW artists on the charts right now. She is indeed bringing something unique to the environment that she is in. Being a child of two faiths, SZA would face a lot of scrutiny as a child, but this wouldn't stop her from beginning her faith into her music and help build on that. \n\nhttps://youtu.be/9wpwb8y3G14\n\nListen To This: \nThe Weekend : https://www.youtube.com/watch?v=cMD63TwzB1o\nBabylon: https://www.youtube.com/watch?v=RXDOcZLmrKU\n\nWebsite: www.audioaddiction.ca\nInstagram: https://www.instagram.com/audioaddictionig/\nSnapchat: @stephannakamura\nFacebook: https://www.facebook.com/TheAudioAddiction/\n\nMusic By: www.bensound.com",
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      "author": "audioaddiction",
      "body": "Album Review By: Brandon Ben\n\nInstagram @brandonbenmusic \nTwitter @brandonbenmusic \n\n\nRich Brian – Amen\n![](https://steemitimages.com/DQmUAdoJHeFkY59Y1LXCbvNJ1CUKE7ARBkDrBbExBPSBAc1/image.png)Formally known as Rich Chigga, Rich Brian has released his debut album, titled Amen. Now, I have always considered Rich Brian to be somewhat of a joke. He puts out “Dat Stick,” seemingly as a joke, and takes off. He probably then thought, “oh wait, people like me, I need to get serious.” The only other track I heard before listening to this album is “Glow Like Dat,” which I did indeed enjoy. So, I wasn’t really sure what to expect when I listened to this album.\nFirst impressions, the kid can rap. If he’s trying to be less of a meme, this was the right move. But, this album doesn’t really grab my attention. I found myself not really being able to pay attention, and I ended up just skipping to “Glow Like Dat.” Every track kind of sounds the same, and Rich Brian could have done way more with the features. Thus, this album confuses me.\nWho is Rich Brian trying to me? A meme? Apparently not, its obvious he’s trying to be serious. He is sort of funny? He’s not very deep, it seems like the lyrics don’t have much depth to them. He has potential, there’s no doubt about that, but his music is quite bland. The beats are repetitive, his rapping is repetitive, there is nothing interesting about this release. \nSo, this is somewhat of an open letter to Brian. Dude, you can do this! You have the talent, the resources, the fame, the look, the persona. You need to try more! This time is crucial, and you’ll quickly fall of the grid if you don’t get it together. But hey, that’s my opinion! What’s yours?",
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      "author": "qsounds",
      "body": "Just know that in essence those who write, owns the content. So when someone write for your website, unless otherwise agreed, the writer owns the content. When you then repost here and earn money with it, that money belongs to the writer. Maybe you have agreements with your writers on all of this, that I dont know. Just keep it in mind.",
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      "author": "audioaddiction",
      "body": "Thanks for the explanation! Andrew himself doesn't really have any social media tags, but he plans on making them so I can reference him more often. Also we plan on making a page on the website for any writers or people that help out consistently on the channel. Sorry for the confusion, we'll make a harder effort to emphasis that the content we make at Audio Addiction is original, from us, and made with love.",
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