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      "body": "![the-dragon-prince.jpg](https://cdn.steemitimages.com/DQmYvgSNpTnDaxnHmGQGGjn1i9CW2vppJeVAFiKQ34jfMAT/the-dragon-prince.jpg)\n\nI’d been meaning to watch this for a while now. I should have had this review completed back when _The Dragon Prince_ came to [AFNYCC](https://inasianspaces.com/2018/10/09/was-afnycc-worth-it-anime-fest-nycc-convention-review/), but alas – sometimes the things we intend are just not so.\n\nWhen I heard that season two would premiere on Netflix February 15th, I knew I had to get at it.\n\nAnd boy, it did not disappoint.\n\n_The Dragon Prince_ takes place in the far off lands of Xadia, where magic rules within six primordial sources. Or at least, it did until one human eons ago decided to create a new energy source: dark magic. The mage gone rogue is implied to have ruined the natural balance for all, causing the Elven citizens along with other magical folks to split the kingdom.\n\nIn the latest schism, the dragon guardian of the border had its heir murdered. As this creature only hatches once every thousand years, the magical kingdom seeks revenge on the human king and his heir – Ezran.\n\nThis is where our story begins.\n\nLet me just say that the _Avatar: the Last Airbender_ nostalgia hit me hard. I’ve been meaning to rewatch that series, especially with the [oddly timed announcement](https://inasianspaces.com/2018/09/17/one-more-afnycc-2018-update-before-the-con-new-york-comic-con/) of the live-action Netflix adaptation. I don’t want to make too many comparisons to the show because it is its own separate entity, but seeing Claudia reading “Love Amongst the Dragons” in episode one really gave me a good laugh.\n\n![love amongst the dragons.png](https://cdn.steemitimages.com/DQmWA6W1ZDaw3ry7VGTDJgm6XumnKVXGYeks3Q4L9X5xjY4/love%20amongst%20the%20dragons.png)\n\nFor those of you who don’t remember, Prince Zuko’s mother, Ursa, enjoyed taking her family to see the Ember Island Player’s rendition each year when he was young. According to Zuko, they always botched it.\n\nAside from ATLA head writer Aaron Ehasz creating and producing the show, we also have Jack De Sena (ATLA’s voice of Sokka) playing Ezran’s half-brother, Callum. Director Giancarlo Volpe is also on the executive production team.\n\n![ATLA tumblr user on aarons contrib.png](https://cdn.steemitimages.com/DQmd2S2xDVArVcQHKGhWsVQeappv8k8MiYnNmaeUDricCFd/ATLA%20tumblr%20user%20on%20aarons%20contrib.png)\n(Taken from Tumblr User kaf-kaf-kaf)\n\nArron Ehasz and his wife Elizabeth Welch Ehasz were arguably the driving force behind the ideas that lead to [what made ATLA so memorable](https://inasianspaces.com/2019/01/08/introducing-honor-back-to-the-fandom/). A feminist Katara who had a strong sense of justice, a strong-willed Toph who could take on any foe and ( was arguably) stronger because she was blind. An emotionally complex Prince Zuko, and a Princess Azula who was the prodigal younger sibling instead of a male brother.\n\n![newsweek 2018.png](https://cdn.steemitimages.com/DQmX4Qib5GMiMQCF9NmTMp46zKWBUnMaRcVjgPqyMnndTnW/newsweek%202018.png)\n(“10-Year Anniversary” Interview with Newsweek, 07/19/2018)\n\n![newsweek 2018 on toph.png](https://cdn.steemitimages.com/DQmaPAgqToJ58oj6xTYrNTreUc9yjbioYWnRfLiJbZQSgEq/newsweek%202018%20on%20toph.png)\n(“10-Year Anniversary” Interview with Newsweek, 07/19/2018)\n\nThe married duo just may have saved the show from being one-dimensional characters with no depth…or whatever it is the characters devolve to in the graphic novels.\n\n![ign 2007 the future of avatar.png](https://cdn.steemitimages.com/DQmUBaNWyENe81XntdoWmfVofSfsqy5Kq8uVeMtdEywVCL9/ign%202007%20the%20future%20of%20avatar.png)\n(On ATLA’s future, IGN 06/09/2007)\n\nSadly, Team Ehasz did not join the production team for _The Legend of Korra_. I will not solely blame Bryke for the low favorability of that sequel series as Nickelodeon played a huge part. I will say, that they were allegedly talked out of the Aang – Katara – Male Toph love triangle in the first series and without surmountable opposition, we got the horrible Asami – Mako – Korra nonsense for at least three books in LOK.\n\nBut, enough about that. Let’s go back to the human kingdom of Katolis.\n\nThe show seems to be following the Hero’s Journey formula along with its TV Tropes.  I wonder if they will diverge from this in season two.\n\nLet me explain:\n\nPopularly coined by Joseph Campbell, The Ten-Phase Formula of the Hero’s Journey is something most fantasy epics follow. _Lord of the Rings_ is one series that comes to mind. _Harry Potter_ is another contemporary example of this. Anything that features an orphan is also a typical archetype in this genre.\n\nI am not going to delve too deeply into the exploration of these themes since with my writing style, we’d be here all day. Instead, I am just going to point out what I consider as interpretations of these stages, or passages.\n\nThe 10 stages can be interpreted as followed:\n\n## I. Beginning and Breach\n\nThis is an introduction of the world. In the shows first few minutes, the world’s current issues and history (war with Xadia, dark magic) are explained. The breach serves as a catalyst of current events: so the “death” of the dragon egg, of the Dragon Queen, and the old world’s status quo. All of this causing the moonshadow elves to seek immediate revenge.\n\n## II. Departure\n\nWith the death or departure of the old world’s status quo (the dragon and its heir, King Harrow’s rule) there is a departure, or journey of the hero to reestablish homeostasis. The young Princes Callum and Ezran are forced to leave their home in an attempt to not be completely overtaken by the new order – i.e. die. In this stage magic is introduced to the core plot of the story, hinting at a new beginning or metamorphosis. Rayla joins the group and proceeds to tell stories of Xadia, Callum learns he is a mage and capable of sorcery.\n\n## III. Outerspace or the Forest\n\nThe journey into another realm or state that has laws and regulations foreign to the old world. I will view this interpretation a bit more loosely, as the trio travels by land and by river. River or water symbolism in general aside (a source of life, rebirth and constant motion in itself) Rayla has not traveled much by water and dislikes it. She also has to play the villain at the winter lodge in the woods. This begins her proverbial journey of becoming the “embodiment” of the “villain” or “outsider” which in turn, makes it easier for her to adapt to Katolis’ customs and perceptions when later entering the other human kingdom’s village.\n\nRayla adjusts to the human mode of transport, and upon seeing it was not difficult allows herself to boldly “blend in” once more. The boys likewise learn the propaganda at play surrounding the magical residents of Xadia and how to travel through the forest and hike up mountains. They learn to traverse in the forest as Rayla has. They also leave their human food – bread – behind, which besides the tracking plot point for Viren’s kids (or the assassin), leaves Ezran and Callum open to tasting food native to Rayla’s nation.\n\n## IV. Secret Society\n\nThe descent up the creepy mountain. This is the hero’s entrance into the otherworld, where mythic and primordial beings of cosmic balance reside. A place similar to ATLA’s spirit world, with figures that have “a shadowy look, ghostly ability to disappear and reappear across space, magic powers”. Think of the imaginary spider that leapt across time and space. The _Dune_-esque creature that drains blood from its victims. Rayla’s vision or hallucination of the mummified corpse speaking.\n\n_“The secret societies are the gatekeepers of the mysterious world, ensuring that the undeserving doesn’t pass.”_\n\nOn the mountain underneath the tree, we are able to meet Lujanne, the Elven illusionist who literally admits these psychological barriers are a way to keep the mountain safe from those who seek to do it harm. In order for the heroes to meet her, they have to go through trials and persevere to prove their intent.\n\n_“By trying and improvising, the hero must discover the language of communication with the groups of unknown beings.”_\n\nEzran reveals that he is an empath and can communicate with animals and other beings. He realizes the illusion for the benefit of the group and helps them advance onward.\n\n_“If the hero passes all the tests, meet all the challenges, and solves all the riddles, he or she is accepted, **hence gaining a temporary community…**”_\n\nLujanne tells the trio the conditions a dragon needs to hatch, and Callum is able to conjure them using the storm orb. Once Azymondias hatches, Rayla is “rewarded” by the mythic universe and freed from her bonds by her lands protector. I also find it interesting that the pact was made just before the full moon, and was released again under the moon in different circumstances.\n\n## V. Taboo and Violation\n\nThis phase relies heavily again on the “symbolic forest” but also can include mountains, which I’d like to focus on. Basically, let’s consider Claudia’s spell in the cave turned underground cavern basis for this explanation. As that can literally be considered her conducting dark magic in an underworld – or underground before climbing to the highest peak with Soren.\n\n_“Many barriers shield the path toward new knowledge, which must be protected. Falling into the wrong hands, it may damage the Homeworld.”_\n\nSo, let’s talk about Mr. Evil McEvil pants, the dark sorcerer himself – Viren. From offering King Harrow an asp a la Cleopatra’s death, to sucking the life force out of magical butterflies, to stealing souls and imprisoning them in currency (is he collecting for Charon, who ferries the departed?), to sowing seeds of doubt through subtle manipulation of his children to pin them against one another…this dude is evil.\n\nHe even looks like an undead corpse after stealing Runaan’s soul. Maybe this denotes the price high leveled dark energy propagates? An unnatural balance of one’s spirit in a Voldemort horcrux sort of way; which is why the Xadians were so against it.\n\nI’m all over the place currently writing for this site, trying to get my other (author) site off the ground, and working on books. Hopefully though, I can explore phases six through ten in another post and speculate on the story (and my headcanons) further before Season 2 premieres. The remaining phases are:\n\n**VI. Punishment/Abyss: Death and the Dragon**\n\n**VII. Otherstate/Dream**\n\n**VIII. Donation or Sacred Instruction**\n\n**IX. Reward and Return**\n\n**X. Incorporation and Bliss**\n\nThis has been a lot of fun tonight, albeit me trying to cut down details due to a pre-desired length for this post. I also might post something tomorrow regarding thoughts on diversity and accurate portrayals of this world that I planned on adding to this post, but it didn’t flow well enough.\n\nAlso, if you hadn’t noticed, Rayla is my favorite character. From her lovely Scottish accent to her Naruto run, I find the moonshadow elf quite endearing. I am also super excited to see Xadia, which Rayla makes out to be quite beautiful. Hopefully for one reason or another, it hasn’t been destroyed or its entry been blocked by the time the trio visits. Or, there isn’t another conspiracy to make the dragon prince disappear on their end….either way, I will be tuning in to watch!\n\nDo you also find yourself comparing The Dragon Prince to Avatar: The Last Airbender, or other shows like Voltron? What do you think General Amaya signed at her sister’s memorial? Did you find any of the show’s easter eggs? Leave your thoughts in the comment section below, I’d love to hear from you! Also be sure to follow us for more animated show reviews!\n\nBook referenced and quoted: _Fictional Worlds: Traditions in Narrative and the Age of Visual Culture_ by L.A. Alexander.",
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      "body": "![charles-forerunner-378-unsplash.jpg](https://cdn.steemitimages.com/DQmdpGh6CHiyxv18VFhYat4ziB4umbigNmrNQ8gMmGdWzge/charles-forerunner-378-unsplash.jpg)\n\nThis is something I wrote that I intended to add onto _The Dragon Prince_ review, but it no longer fit so I’ll post it here on its own.\n\nWhile it’s no secret that high fantasy and Sci-Fi are entrenched in the densest forms of whiteness, this has always confused me.\n\nIn my own personal outlook, fantasy to me is an interpretation of the past (in various distances), while Sci-Fi is an outlook towards the future.\n\nAnd all some people can see is…the same tired structures of whiteness?\n\nThis is severely off topic, but it’s a memory that surfaced while writing so I’d like to talk about it. In college, there was this real SOB of a professor that literally everyone in the course disliked. A few even decided to wisely transfer out within the first week of the class and switch to another. I didn’t, opting to sit towards the back and not say much.\n\nHe had a few supporters, but all of that changed quickly when we had a particular assignment. In groups, we had to pitch a film and try to sell it. Since I decided to get my producing minor credits out of the way all in one go, almost every course I was enrolled in that semester was doing the same – so it was boring to say the least at this point. The only male in the group was coincidentally already working on a project, so we just pitched that and raked in an easy A.\n\nAfter that segment was over, the professor allowed us to ask any questions we had. I don’t remember the question a fellow classmate asked, but I do remember our instructor’s response.\n\nPertaining to independent film he advised the students not to bother making “black films or anything ethnic, as they don’t do well overseas.” Needless to say, he didn’t catch the atmosphere in the room change – and continued drooling the purest forms of ignorance out of his mouth.\n\nContinuing that “those films” rarely make money and are simply a waste of time, and it was better to stick to “tried and true methods” aka – white films with all white casts.\n\nHe’d left early that day after lecture, and I remember everyone just hung around looking at each other and spoke in hushed voices. It was too late to switch out now so nothing could really be done. There was no point in reporting him – he used to be one of Hollywood’s top producers.\n\nI’m sure if you heard projects he worked on you’d recognize the multi-million dollar box office hits. So for the most part, everyone kept their mouth shut about it and just had a general disdain. There were some who really enjoyed his ideologies and kissed up for industry connections – the male who was in my group being one. Last I heard, they had made the film and things are going well for him.\n\nNeedless to say, I believe this is why Hollywood and the movie theatre industry are dying as a whole. They refuse to adapt and release their toxic ideologies of racism, imperialism, and general tyranny. Instead of fighting against tides that you cannot swim in, many have opted to go the indie route – myself included.\n\nIf you can envision a story that needs to be told, who better than you to create it? It is the harder route but more rewarding in the long run. You’re not begging powerful individuals for funding in exchange for producing credits, then, in turn, having the audacity to be surprised when they think they own your film and can dictate every minuscule and minute detail to fit their narrative or agenda.\n\nIts things like this that lead to a piss poor portrayal of cultural diversity in the media and its further outlets.\n\nThis sort of mindset however seems to thrive anywhere there is power. This extends to any given industry that has gone mainstream, anime included. One last story before I finish up this article.\n\nI was working an event, and the crème de la crème of the American – Japanese publishing industry were in attendance. I noticed for a while that when it comes to Japanese culture, anime, etc. – it is very hard to be “let in” to these circles.\n\nAnd once you’re in, it’s just one big circle jerk to please the next person due to the personalities this line of work tends to attract.\n\nAnyway, I had always wondered why it was the _same_ people at the _same exact_ events and the _same exact_ companies. Japanese business model of 過労死 (karoshi, or working until you die) aside, from my observations people really did not leave their positions unless they were promoted or well…died.\n\nThere was a networking hour, and as soon as I was off the clock I decided to speak to the only person in the group who was not outwardly nasty to me earlier.\n\nI’ve encountered a lot of unpleasant people who have treated me unfairly unprovoked. I’ve never known if it was due to my skin color or feelings of inferiority. Judging by the amount I’ve been talked down to, I tend to favor the latter – but that could be my own arrogance talking.\n\nWhich don’t get me wrong, I don’t regret any of the experiences I’ve had. More often than not I’ve met very kind people who I never dreamed I would. The common pattern I speak of always came from the subordinates or those insecure about their positions or station in life.\n\n[Which btw, if you want to know how to deal with these types of people there are two options: be nice and play coy, or act as pretentious as possible. In other words, talk down to them back, act disinterested in anything they have to say and bring in your well-developed poker face. They will be caught off guard most of the time and wonder why you are not recognizing their self-importance and suddenly – you become the most interesting thing in the world. This always works well on the haughty wealthy folk, overbearing celebrities, politicians or any situation where ego is involved. It’s just a little something I picked up going to school with rich kids and finding myself in…foreign spaces lol.]\n\nAnyway, I chatted him up (he happened to work for my favorite publisher at the time) and decided to casually ask if they were hiring. I was working at one cultural hub so to speak, and it would be poor taste to just jump ship for another one so it was mainly out of curiosity.\n\nJapanese office ladies and salary men are some of the fiercest gossipers I’ve ever met and I say this with as much kindness as possible. If I left for another company like that (provided they even let me in) the reputation of ‘disloyalty’ would no doubt follow me.\n\nAfter asking, he laughed in my face and said that they did not hire. Provided he was tipsy on libations I didn’t take the laugh as something malicious.\n\nWriting this, I also realize just how desensitized I’ve become regarding my interpersonal reactions.\n\nI then pushed my luck even further, inquiring why his company head had given this grand speech about “following your dreams” and that with enough practice and studying of Japanese language and culture, you could be where he was? Why did he get all of those teenagers and young adults – some decked out wearing anime merchandise like licensed T-shirts and official gear from said company – excited and accept their applications after the presentation when he had no intention of even looking at them?\n\nHe just shrugged, looked over my shoulder and seen a friend (I’m assuming, I honestly just took the hint) and walked away. I think that was the first time I realized that in every industry, there is a bunch of bullshit.\n\nAt a certain point, you have to wonder – when does it all become too much? When are you tired? What goal were you originally working toward?\n\nPeople leave industries all the time after they grow disillusioned or grow too tired, and decide to mentor or start their own production studios.\n\nAbout two years after that incident with the professor I mentioned, one morning after I had already graduated he was on the morning news. He was now basically at the top in that department, overseeing admissions of the incoming classes and dictating courses.\n\nOn the news he was being awarded and he gave this grandiose speech about “the importance of diversity” and how “minorities needed their own unique voice in Hollywood”. Beside him was a young girl, his ‘mentoree’, beaming and idolizing him as if he were some god.\n\nI swear to you I would have spit on my TV if I could. Instead I called him a motherf*cker and walked away cursing while my mom asked in confusion what was wrong. I didn’t even explain, I just laughed.\n\nThis world is amazing.\n\nIt’s something, how these powerful people decide to take a different route and seemingly downgrade their life. There are those who really do mean well, but there are even more like this professor – who has decided to spread his ilk from the top to the bottom to the next generation of eager, bright-eyed filmmakers.\n\nI’m turning this review into something else, so that’s all I’ll say on this matter. I applaud _[The Dragon Prince](https://inasianspaces.com/2019/02/01/the-heros-journey-in-animation/)_ for reflecting the diversity of our world and normalizing differences. People of color in power, members of the deaf community in positions of power, blended families that don’t hate one another, all wrapped together in an epic storytelling that seeks to restore balance back to their world. I applaud it, and I’d like to leave this article with a video clip that I often think about. It may seem random, but it’s [Dave Chappelle speaking on Hollywood and knowing your price](https://www.youtube.com/watch?v=ZOBjLPfDBWc). This is a topic often spoken of in cryptic language – or doublespeak- as I have just used.\n\nBut it’s important and I’m glad he said it. The more beautiful the image of an entity, the more insidious its underbelly really is.\n\nI’d also encourage you all to watch [Misaeng: Incomplete Life](https://inasianspaces.com/2018/11/01/more-than-just-an-office-drama-misaeng-incomplete-lifekdrama-review/). I did a review on it and eagerly look forward to its second season. It focuses on corporate culture at one of South Korea’s top companies, and shows the psychological and emotional effects of a toxic workplace.\n\nHave you ever encountered something unfortunate in your workplace? Can you really separate society and culture? What would you like to see changed about media?\n\nLeave your thoughts in the comment section below, I’d love to hear from you!",
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