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      "body": "Yes, the man that you asked the ostler at the George to recommend you; the trustworthy man that knows all the by-roads well, and can keep a secret; the man that you wanted to lend you a hand in a job that—\n<p class=\"p3\">FLAM. Hush, hush!</p>\n<p class=\"p3\">MARTIN. Oh! you’re beginning to hush now, are you?</p>\n<p class=\"p3\">FLAM. Haven’t I seen your face before?</p>\n<p class=\"p3\">MARTIN. To be sure you have. You recollect admiring my manners at Benson’s yesterday. You must remember Mr. Martin Stokes. You can’t have forgotten him—not possible!</p>\n<p class=\"p3\">FLAM (aside). A friend of Benson!—a dangerous rencontre. Another moment, and our conversation might have taken an awkward turn. (To him.) So you are Stokes, eh? Benson’s friend Stokes?</p>\n<p class=\"p3\">MARTIN. To be sure. Ha, ha! I knew you couldn’t have forgotten me. Pleasant Stokes they call me, clever Stokes sometimes;—but that’s flattery.</p>\n<p class=\"p3\">FLAM. No, surely.</p>\n<p class=\"p3\">MARTIN. Yes, ’pon my life! it is. Can’t bear flattery,—don’t like it at all.</p>\n<p class=\"p3\">FLAM. Well, Mr. Stokes—</p>\n<p class=\"p3\">MARTIN (aside). Now for the secret.</p>\n<p class=\"p3\">FLAM. I am very sorry you have had the trouble of coming up here, Mr. Stokes, because I have changed my plan, and shall not require your valuable services. (Goes up to the table.)</p>\n<p class=\"p3\">MARTIN (aside). Something wrong here: try him again. You’re sure you don’t want me?</p>\n<p class=\"p3\">FLAM. Quite.</p>\n<p class=\"p3\">MARTIN. That’s unlucky, because, as I have quarrelled with Benson—</p>\n<p class=\"p3\">FLAM. Quarrelled with Benson!</p>\n<p class=\"p3\">MARTIN. What! didn’t you know that?</p>\n<p class=\"p3\">FLAM. Never heard of it. Now I think of it, Mr. Stokes, I shall want your assistance. Pray, sit down, Mr. Stokes.</p>\n<p class=\"p3\">MARTIN. With pleasure. (They sit.) I say, I thought you wanted me.</p>\n<p class=\"p3\">FLAM. Ah! you’re a sharp fellow.</p>\n<p class=\"p3\">MARTIN. You don’t mean that?</p>\n<p class=\"p3\">FLAM. I do, indeed.</p>\n<p class=\"p3\">MARTIN (aside). You would, if you knew all.</p>\n<p class=\"p3\">FLAM (aside). Conceited hound!</p>\n<p class=\"p3\">MARTIN (aside). Poor devil!</p>\n<p class=\"p3\">FLAM. Mr. Stokes, I needn’t impress upon a gentleman of your intelligence, the necessity of secrecy in this matter.</p>\n<p class=\"p3\">MARTIN. Of course not: see all—say nothing. Capital custom:—(aside) not mine though. Go on.</p>\n<p class=\"p3\">FLAM. You wouldn’t mind playing Benson a trick,—just a harmless trick?</p>\n<p class=\"p3\">MARTIN. Certainly not. Go on.</p>\n<p class=\"p3\">FLAM. I’ll trust you.</p>\n<p class=\"p3\">MARTIN. So you may. Go on.</p>\n<p class=\"p3\">FLAM. A chaise and four will be waiting to-night, at ten o’clock precisely, at the little gate that opens from the garden into the lane.</p>\n<p class=\"p3\">MARTIN. No: will it though? Go on.</p>\n<p class=\"p3\">FLAM. Don’t interrupt me, Stokes. Into that chaise you must assist me in forcing as quickly as possible and without noise—</p>\n<p class=\"p3\">MARTIN. Yes. Go on.</p>\n<p class=\"p3\">FLAM. Whom do you think?</p>\n<p class=\"p3\">MARTIN. Don’t know.</p>\n<p class=\"p3\">FLAM. Can’t you guess whom?</p>\n<p class=\"p3\">MARTIN. No.</p>\n<p class=\"p3\">FLAM. Try.</p>\n<p class=\"p3\">MARTIN. Eh! what!—Miss—</p>\n<p class=\"p3\">FLAM. Hush, hush! You understand me, I see. Not another word; not another syllable.</p>\n<p class=\"p3\">MARTIN. But do you really mean to run away with—</p>\n<p class=\"p3\">FLAM (stopping his mouth). You understand me;—that’s quite sufficient.</p>\n<p class=\"p3\">MARTIN (aside). He’s going to run away with Rose. Why if I hadn’t found this out, John Maddox,—one of my most particular friends,—would have gone stark, staring, raving mad with grief. (To him.) But what will become of Miss Lucy, when she has lost Rose?</p>\n<p class=\"p3\">FLAM. No matter. We cannot take them both, without the certainty of an immediate discovery. Meet me at the corner of the avenue, before the ball commences, and I will communicate any further instructions I may have to give you. Meanwhile take this (gives him money) as an earnest of what you shall receive when the girl is secured. Remember, silence and secrecy.</p>\n<p class=\"p3\">MARTIN. Silence and secrecy, (exit FLAM)—confidence and two guineas. I am perfectly bewildered with this tremendous secret. What shall I do? Where shall I go?—To my particular friend, old Benson, or young Benson, or George Edmunds? or—no; I’ll go and paralyse my particular friend, John Maddox. Not a moment is to be lost. I am all in a flutter. Run away with Rose! I suppose he’ll run away with Lucy next. I shouldn’t wonder. Run away with Rose! I never did—</p>\n<p class=\"p3\">[Exit hastily.</p>\n<p class=\"p3\"><br/><span class=\"t8\">SCENE II.—</span>An open spot in the Village.</p>\n<p class=\"p3\">Enter SQUIRE NORTON.</p>\n<p class=\"p3\">SQUIRE. My mind is made up. This girl has opened her whole heart to me; and it would be worse than villainy to pursue her further. I will seek out Benson and Edmunds, and endeavour to repair the mischief my folly has occasioned. I have sought happiness in the dissipation of crowded cities, in vain. A country life offers health and cheerfulness; and a country life shall henceforth be mine, in all seasons.</p>\n<p class=\"p3\">Song.—SQUIRE NORTON.</p>",
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      "body": "Hear me, when I swear that the farm is your own<br/>Through all changes Fortune may make;<br/>The base charge of falsehood I never have known;<br/>This promise I never will break.\n<p class=\"p3\">ROSE and LUCY.     Hear him, when he swears that the farm is our own<br/>Through all changes Fortune may make;<br/>The base charge of falsehood he never has known;<br/>This promise he never will break.</p>\n<p class=\"p3\">Enter YOUNG BENSON.</p>\n<p class=\"p3\">YOUNG BENSON.   My sister here! Lucy! begone, I command.</p>\n<p class=\"p3\">SQUIRE.                   To your home I restore you again.</p>\n<p class=\"p3\">YOUNG BENSON.  No boon I’ll accept from that treacherous hand<br/>As the price of my sister’s fair fame.</p>\n<p class=\"p3\">SQUIRE.                   To your home!</p>\n<p class=\"p3\">YOUNG BENSON (to LUCY.)    Hence away!</p>\n<p class=\"p3\">LUCY.                        Brother dear, I obey.</p>\n<p class=\"p3\">SQUIRE.                    I restore.</p>\n<p class=\"p3\">YOUNG BENSON.   Hence away!</p>\n<p class=\"p3\">YOUNG BENSON, ROSE and LUCY.   Let us leave.</p>\n<p class=\"p3\">LUCY.                        He swears it, dear brother.</p>\n<p class=\"p3\">SQUIRE.                    I swear it.</p>\n<p class=\"p3\">YOUNG BENSON.    Away!</p>\n<p class=\"p3\">SQUIRE.                    I swear it.</p>\n<p class=\"p3\">YOUNG BENSON.    You swear to deceive.</p>\n<p class=\"p3\">SQUIRE.                    Hear me, when I swear that the farm is your own<br/>Through all changes Fortune may make.</p>\n<p class=\"p3\">LUCY and ROSE.      Hear him when he swears that the farm is our own.<br/>Through all changes Fortune may make.</p>\n<p class=\"p3\">YOUNG BENSON.    Hear him swear, hear him swear, that the farm is our own<br/>Through all changes Fortune may make.</p>\n<p class=\"p3\">SQUIRE.                    The base charge of falsehood I never have known,<br/>This promise I never will break.</p>\n<p class=\"p3\">LUCY and ROSE.      The base charge of falsehood he never has known,<br/>This promise he never will break.</p>\n<p class=\"p3\">YOUNG BENSON.    The base charge of falsehood he often has known<br/>This promise he surely will break.</p>\n<p class=\"p3\">[Exeunt omnes.</p>\n<p class=\"p3\">Re-enter FLAM, in a walking-dress.</p>\n<p class=\"p3\">FLAM. The coast is clear at last. What on earth the conversation can have been, at which Rose was wanted, and I was not, I confess my inability to comprehend; but away with speculation, and now to business.—(Rings.)</p>\n<p class=\"p3\">Enter Servant.</p>\n<p class=\"p3\">Pen and ink.</p>\n<p class=\"p3\">SERVANT. Yes, sir.</p>\n<p class=\"p3\">[Exit Servant.</p>\n<p class=\"p3\">FLAM (solus). Nearly all the tenantry will be assembled here at the ball to-night; and if the father of this rustic Dulcinea is reinstated in his farm, he and his people will no doubt be among the number. It will be easy enough to entice the girl into the garden, through the window opening on the lawn; a chaise can be waiting in the quiet lane at the side, and some trusty fellow can slip a hasty note into Norton’s hands informing him of the flight, and naming the place at which he can join us. (Re-enter Servant with pen, ink, taper and two sheets of notepaper; he places them on the table and exit.) I may as well reply to my friend Mr. John Ellis’s obliging favour now, too, by promising that the money shall be forwarded in the course of three days’ post. (Takes the letter from his pocket, and lays it on the table.) Lie you there. First, for Norton’s note.—‘Dear Norton,—knowing your wishes—seized the girl—no blame attach to you. Join us as soon as people have dispersed in search of her in all directions but the right one,—fifteen miles off.’ (Folds it ready for an envelope and lays it by the side of the other letter.) Now for John Ellis. Why, what does the rascal mean by bringing but two sheets of paper? No matter: that affair will keep cool till to-morrow, when I have less business on my hands, and more money in my pockets, I hope. (Crumples the letter he has just written, hastily up, thrusts it into his pocket, and folds the wrong one in the envelope. As he is sealing it</p>\n<p class=\"p3\">Enter MARTIN, very cautiously.</p>\n<p class=\"p3\">MARTIN (peeping). There he is, hatching some mysterious and diabolical plot. If I can only get to the bottom of these dreadful designs, I shall immortalise myself. What a lucky dog I am, to be such a successful gleaner of news, and such a confidential person into the bargain, as to be the first to hear that he wanted some trustworthy person. All comes of talking to everybody I meet, and drawing out everything they hear. Capital custom! He don’t see me. Hem! (Coughs very loud, and when FLAM looks round, nods familiarly.) How are you again?</p>\n<p class=\"p3\">FLAM. How am I again! Who the devil are you?—and what do you want here?</p>\n<p class=\"p3\">MARTIN. Hush!</p>\n<p class=\"p3\">FLAM. Eh?</p>\n<p class=\"p3\">MARTIN. Hush! I’m the man.</p>\n<p class=\"p3\">FLAM. The man!</p>\n<p class=\"p3\">MARTIN. </p>",
      "title": "[Literature] Charles Dickens:  The Village Coquettes - There Are Dark Shadows on the #13/21",
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      "body": "If you like English literature, your mind will be blowed by this: <a href='/@livechart/literature-charles-dickens-the-village-coquettes-there-are-dark-shadows-on-the-10-21'>[Literature] Charles Dickens:  The Village Coquettes - There Are Dark Shadows on the 10/21</a>",
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      "body": "If, by some dexterous stroke, I could manage to curry favour with Norton, and procure some handsome present in return for services rendered,—for ‘work and labour done and performed,’ as my obedient servant, John Ellis, would say, I might keep my head above water yet. I have it! He shall have a joyful surprise. I’ll carry this girl off for him, and he shall know nothing of the enterprise until it is completed, or at least till she is fairly off. I have been well rewarded for similar services before, and may securely calculate on his gratitude in the present instance. He is here. (Puts up the letter.)\n<p class=\"p3\">Enter SQUIRE NORTON.</p>\n<p class=\"p3\">SQUIRE (seating himself at table). Has any application for permission to remain on the farm been made from Benson, this morning, Flam?</p>\n<p class=\"p3\">FLAM. None.</p>\n<p class=\"p3\">SQUIRE. I am very sorry for it, although I admire the old man’s independent spirit. I am very sorry for it. Wrong as I know I have been, I would rather that the first concession came from him.</p>\n<p class=\"p3\">FLAM. Concession!</p>\n<p class=\"p3\">SQUIRE. The more I reflect upon the occurrences of yesterday, Flam, the more I regret that, under the influence of momentary passion and excitement, I should have used so uncalled-for a threat against my father’s oldest tenant. It is an act of baseness to which I look back with abhorrence.</p>\n<p class=\"p3\">FLAM (aside). What weathercock morality is this!</p>\n<p class=\"p3\">SQUIRE. It was unnecessary violence.</p>\n<p class=\"p3\">FLAM. Unnecessary! Oh, certainly; no doubt you could have attained your object without it, and can still. There is no occasion to punish the old man.</p>\n<p class=\"p3\">SQUIRE. Nor will I. He shall not leave the farm, if I myself implore, and beg him to remain.</p>\n<p class=\"p3\">Enter Servant.</p>\n<p class=\"p3\">SERVANT. Two young women to speak with your honour.</p>\n<p class=\"p3\">Enter LUCY and ROSE.</p>\n<p class=\"p3\">SQUIRE. Lucy!</p>\n<p class=\"p3\">FLAM (aside). She must be carried off to-night, or she certainly will save me the trouble, and I shall lose the money.</p>\n<p class=\"p3\">LUCY. Your honour may be well surprised to see me here, after the events of yesterday. It has cost me no trifling struggle to take this step, but I hope my better feelings have at length prevailed, and conquered my pride and weakness. I wish to speak to your honour, with nobody by.</p>\n<p class=\"p3\">FLAM (aside). Nobody by! I rather suspect I’m not particularly wanted here. (To them.) Pray allow us to retire for a few moments. Rose, my dear.</p>\n<p class=\"p3\">ROSE. Well!</p>\n<p class=\"p3\">FLAM. Come along.</p>\n<p class=\"p3\">LUCY. Rose will remain here, I brought her for that purpose.</p>\n<p class=\"p3\">FLAM. Bless me! that’s very odd. As you please, of course, but I really think you’ll find her very much in the way. (Aside.) Acting propriety! So much the better for my purpose; a little coyness will enhance the value of the prize.</p>\n<p class=\"p3\">[Exit FLAM.</p>\n<p class=\"p3\">LUCY. Mr. Norton, I come here to throw myself upon your honourable feelings, as a man and as a gentleman. Oh, sir! now that my eyes are opened to the misery into which I have plunged myself, by my own ingratitude and treachery, do not—do not add to it the reflection that I have driven my father in his old age from the house where he was born, and in which he hoped to have died.</p>\n<p class=\"p3\">SQUIRE. Be calm, Lucy; your father shall continue to hold the farm; the lease shall be renewed.</p>\n<p class=\"p3\">LUCY. I have more to say to your honour still, and what I have to add may even induce your honour to retract the promise you have just now made me.</p>\n<p class=\"p3\">SQUIRE. Lucy! what can you mean?</p>\n<p class=\"p3\">LUCY. Oh, sir! call me coquette, faithless, treacherous, deceitful, what you will; I deserve it all;—but believe me, I speak the truth when I make the humiliating avowal. A weak, despicable vanity induced me to listen with a ready ear to your honour’s addresses, and to cast away the best and noblest heart that ever woman won.</p>\n<p class=\"p3\">SQUIRE. Lucy, ’twas but last night you told me that your love for Edmunds had vanished into air; that you hated and despised him.</p>\n<p class=\"p3\">LUCY. I know it, sir, too well. He laid bare my own guilt, and showed me the ruin which impended over me. He spoke the truth. Your honour more than confirmed him.</p>\n<p class=\"p3\">SQUIRE (after a pause). Even the avowal you have just made, unexpected as it is, shall not disturb my resolution. Your father shall not leave the farm.</p>\n<p class=\"p3\">Quartet.</p>\n<p class=\"p3\">LUCY / ROSE / SQUIRE NORTON, and afterwards YOUNG  BENSON.</p>\n<p class=\"p3\">SQUIRE.                  </p>",
      "title": "[Literature] Charles Dickens:  The Village Coquettes - There Are Dark Shadows on the #12/21",
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      "body": "Keep back, Squire. Knew there’d be something wrong,—ready to come in at the nick of time,—capital custom.\n<p class=\"p3\">FLAM enters and stands next the SQUIRE.</p>\n<p class=\"p3\">SQUIRE. Exposed, baited! Benson, are you mad? Within the last few hours my friend here has been attacked and insulted on the very land you hold, by a person in your employ and young Edmunds there. I, too, have been threatened and insulted in the presence of my tenantry and workmen. Take care you do not drive me to extremities. Remember—the lease of this farm for seventy years, which your father took of mine, expires to-morrow; and that I have the power to refuse its renewal. Again I ask you, are you mad?</p>\n<p class=\"p3\">BENSON. Quit my house, villain!</p>\n<p class=\"p3\">SQUIRE. Villain! quit my house, then. This farm is mine: and you and yours shall depart from under its roof, before the sun has set to-morrow. (BENSON sinks into a chair in centre, and covers his face with his hands.)</p>\n<p class=\"p3\">Sestet and Chorus.</p>\n<p class=\"p3\">LUCY—ROSE—EDMUNDS—SQUIRE NORTON—FLAM—</p>\n<p class=\"p3\">YOUNG BENSON—and Chorus.</p>\n<p class=\"p3\">YOUNG BENSON. Turn him from the farm! From his home will you cast<br/>The old man who has till’d it for years?<br/>Every tree, every flower, is link’d with the past,<br/>And a friend of his childhood appears.<br/>Turn him from the farm! O’er its grassy hill-side,<br/>A gay boy he once loved to range;<br/>His boyhood has fled, and its dear friends are dead,<br/>But these meadows have never known change.</p>\n<p class=\"p3\">EDMUNDS.          Oppressor, hear me.</p>\n<p class=\"p3\">LUCY.                     On my knees I implore</p>\n<p class=\"p3\">SQUIRE.                 I command it, and you will obey.</p>\n<p class=\"p3\">ROSE.                     Rise, dear Lucy, rise; you shall not kneel before<br/>The tyrant who drives us away.</p>\n<p class=\"p3\">SQUIRE.                 Your sorrows are useless, your prayers are in vain;<br/>I command it and you will begone.<br/>I’ll hear no more.</p>\n<p class=\"p3\">EDMUNDS.            No, they shall not beg again,<br/>Of a man whom I view with deep scorn.</p>\n<p class=\"p3\">FLAM.                     Do not yield.</p>\n<p class=\"p3\">YOUNG BENSON /SQUIRE / LUCY / ROSE.  Leave the farm!</p>\n<p class=\"p3\">EDMUNDS.             Your power I despise.</p>\n<p class=\"p3\">SQUIRE.                   And your threats, boy, I disregard too.</p>\n<p class=\"p3\">FLAM.                      Do not yield.</p>\n<p class=\"p3\">YOUNG BENSON /SQUIRE / LUCY / ROSE.  Leave the farm!</p>\n<p class=\"p3\">ROSE.                       If he leaves it, he dies.</p>\n<p class=\"p3\">EDMUNDS.             This base act, proud man, you shall rue.</p>\n<p class=\"p3\">YOUNG BENSON.   Turn him from the farm! From his home will you cast<br/>The old man who has till’d it for years?<br/>Every tree, every flower, is linked with the past,<br/>And a friend of his childhood appears!</p>\n<p class=\"p3\">SQUIRE.                   Yes, yes, leave the farm! From his home I will cast,<br/>The old man who has till’d it for years;<br/>Though each tree and flower is link’d with the past,<br/>And a friend of his childhood appears.</p>\n<p class=\"p3\">Chorus.                 He has turn’d from his farm, from his home he has cast<br/>The old man who has till’d it for years;<br/>Though each tree and flower is link’d with the past,<br/>And a friend of his childhood appears.</p>\n<p class=\"p3\"></p>\n<p class=\"p3\">END OF THE FIRST ACT</p>\n<p class=\"p3\"></p>\n<p class=\"p3\"><span class=\"t8\">ACT II.</span></p>\n<p class=\"p3\">SCENE I.—An Apartment in the Hall. A breakfast-table, with urn and tea-service. A Livery Servant arranging it. FLAM in a morning gown and slippers, reclining on the sofa.</p>\n<p class=\"p3\">FLAM. Is the Squire out of bed yet?</p>\n<p class=\"p3\">SERVANT. Yes, sir, he will be down directly.</p>\n<p class=\"p3\">FLAM. Any letters from London?</p>\n<p class=\"p3\">SERVANT. One for your honour, that the man brought over from the market-town, this morning.</p>\n<p class=\"p3\">FLAM. Give it me, blockhead! (Servant gives it, and exit.) Never like the look of a great official-folded letter, with a large seal, it’s always an unpleasant one. Talk of discovering a man’s character from his handwriting!—I’ll back myself against any odds to form a very close guess at the contents of a letter from the form into which it is folded. This, now, I should say, is a decidedly hostile fold. Let us see—‘King’s Bench Walk—September 1st, 1729. Sir, I am instructed by my client, Mr. Edward Montague, to apply to you—(the old story—for the immediate payment, I suppose—what’s this?)—to apply to you for the instant restitution of the sum of two hundred and fifty pounds, his son lost to you at play; and to acquaint you, that unless it is immediately forwarded to my office, as above, the circumstances of the transaction will be made known; and the unfair and fraudulent means by which you deprived the young man of his money, publicly advertised.—I am, Sir, your obedient Servant, John Ellis.’ The devil! who would believe now, that such a trifling circumstance as the mere insinuation of a small piece of gold into the corner of two dice would influence a man’s destiny! What’s to be done? </p>",
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      "body": "By the bye, I have lost sight of her, and I am interrupting you. (Aside to SQUIRE, as he goes out.) I came to tell you that she is ripe for an elopement, if you urge her strongly. Edmunds has been reproaching her to my knowledge. She’ll consent while her passion lasts.\n<p class=\"p3\">[Exit</p>\n<p class=\"p3\">SQUIRE. Lucy, I wait your answer. One word from you, and a few hours will place you far beyond the reach of those who would fetter your choice and control your inclinations. You hesitate. Come, decide. The Squire’s lady, or the wife of Edmunds!</p>\n<p class=\"p3\">Duet.—LUCY and SQUIRE NORTON.</p>\n<p class=\"p3\">SQUIRE.<br/>In rich and lofty station shine,<br/>Before his jealous eyes:<br/>In golden splendour, lady mine,<br/>This peasant youth despise.</p>\n<p class=\"p3\">LUCY (apart: the SQUIRE regarding her attentively).</p>\n<p class=\"p3\">Oh! It would be revenge indeed<br/>With scorn his glance to meet.<br/>I, I, his humble pleading heed!<br/>I’d spurn him from my feet.</p>\n<p class=\"p3\">SQUIRE.<br/>With love and rage her bosom’s torn,<br/>And rash the choice will be;</p>\n<p class=\"p3\">LUCY.<br/>With love and rage my bosom’s torn,<br/>And rash the choice will be.</p>\n<p class=\"p3\">SQUIRE.<br/>From hence she quickly must be borne,<br/>Her home, her home, she’ll flee.</p>\n<p class=\"p3\">LUCY.<br/>Oh! long shall I have cause to mourn<br/>My home, my home, for thee!</p>\n<p class=\"p3\">Enter OLD BENSON.</p>\n<p class=\"p3\">BENSON. What do I see! The Squire and Lucy.</p>\n<p class=\"p3\">SQUIRE. Listen. A chaise and four fleet horses, under the direction of a trusty friend of mine, will be in waiting on the high road, at the corner of the Elm-Tree avenue, to-night, at ten o’clock. They shall bear you whither we can be safe, and in secret, by the first light of morning.</p>\n<p class=\"p3\">LUCY. His cruel harshness;—it would be revenge, indeed. But my father—my poor old father!</p>\n<p class=\"p3\">SQUIRE. Your father is prejudiced in Edmund’s favour; and so long as he thinks there is any chance of your being his, he will oppose your holding communication with me. Situated as you are now, you only stand in the way of his wealth and advancement. Once fly with me, and in four and twenty hours you will be his pride, his boast, his support.<br/><br/>OLD BENSON coming forward.</p>\n<p class=\"p3\">BENSON. It is a lie, a base lie!—(LUCY shrieks and throws herself at his feet.) My pride! my boast! She would be my disgrace, my shame: an outcast from her father’s roof, and from the world. Support!—Support me with the gold coined in her infamy and guilt! Heaven help me! Have I cherished her for this!</p>\n<p class=\"p3\">LUCY (clinging to him). Father!—dear, dear, father!</p>\n<p class=\"p3\">SQUIRE. Hear me speak, Benson. Be calm.</p>\n<p class=\"p3\">BENSON. Calm!—Do you know that from infancy I have almost worshipped her, fancying that I saw in her young mind the virtues of a mother, to whom the anguish of this one hour would have been worse than death! Calm!—Do you know that I have a heart and soul within me; or do you believe that because I am of lower station, I am a being of a different order from yourself, and that Nature has denied me thought and feeling! Calm! Man, do you know that I am this girl’s father?</p>\n<p class=\"p3\">SQUIRE. Benson, if you will not hear me, at least do not, by hastily exposing this matter, deprive me of the inclination of making you some reparation.</p>\n<p class=\"p3\">BENSON. Reparation! You need be thankful, sir, for the grasp she has upon my arm. Money! If she were dying for want, and the smallest coin from you could restore her to life and health, sooner than she should take it from your hand, I would cast her from a sick bed to perish on the road-side.</p>\n<p class=\"p3\">SQUIRE. Benson, a word.</p>\n<p class=\"p3\">BENSON. Do not, I caution you; do not talk to me, sir. I am an old man, but I do not know what passion may make me do.</p>\n<p class=\"p3\">SQUIRE. These are high words, Benson. A farmer!</p>\n<p class=\"p3\">BENSON. Yes, sir; a farmer, one of the men on whom you, and such as you, depend for the money they squander in profligacy and idleness. A farmer, sir! I care not for your long pedigree of ancestors,—my forefathers made them all. Here, neighbours, friends! (ROSE, MADDOX, STOKES, Villagers, etc., crowd on the stage.) Hear this, hear this! your landlord, a high-born gentleman, entering the houses of your humble farmers, and tempting their daughters to destruction!</p>\n<p class=\"p3\">Enter YOUNG BENSON and GEORGE EDMUNDS.</p>\n<p class=\"p3\">YOUNG BENSON. What’s that I hear? (rushing towards the SQUIRE, STOKES interposes).</p>\n<p class=\"p3\">MARTIN. Hallo, hallo! Take hold of the other one, John. (MADDOX and he remove them to opposite sides of the stage.) Hold him tight, John, hold him tight. Stand still, there’s a good fellow. </p>",
      "title": "[Literature] Charles Dickens:  The Village Coquettes - There Are Dark Shadows on the #10/21",
      "author": "livechart",
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      "json_metadata": "{\"tags\": [\"squire\", \"lucy\", \"edmund\", \"thee\", \"edmunds\", \"english\", \"literature\", \"education\"], \"app\": \"beem/0.24.26\"}",
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