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      "body": "C'est vraiment pas mal. De très bonnes idées et de la sincérité ! Mais j'ai l'impression qu'au niveau de la contrainte formelle (rimes, mètres) tu t'embêtes un peu pour rien.\n\nEn gros (mais ce n'est que mon opinion, et je la partage parce, étant un peu critique, elle peut peut-être, et je dis bien peut-être, t'aider), soit tu décides de bosser sur une forme plus ou moins fixe, et alors il faut beaucoup de boulot pour avoir des rimes riches, et tu peux difficilement te permettre d'avoir des phrases trop normales, trop banales, parce que ça ne s'accorde pas vraiment avec l'effort esthétique propre aux formes fixes, soit tu laisses tomber un peu tout ça et tu vises l'expressivité par une sincérité qui ne peut plus tenir dans les rimes.  \n\nArthur Rimbaud, dans sa lettre à Georges Izambard : \"il s'agit d'arriver à l'inconnu par le dérèglement de tous les sens.\" Dans cette optique du dérèglement montrant autre chose, permettant d'accéder à autre chose, il n'y a plus vraiment de place pour le contrôle, et les rimes donnent une impression un peu factice quand on travaille dans ce sens. Bref, ce commentaire est déjà trop long, mais j'espère qu'il t'intéressera ; pour résumer, je te conseille d'explorer un peu des formes poétiques libres. En tout cas, si je prends la peine d'écrire tout ça, c'est parce que ton poème m'a plu, mais que d'un point de vue purement formel, j'ai l'impression que tu t'enfermes un peu, notamment dans les rimes, alors que tu pourrais vraiment prendre ton envol autrement. \n\nBonne journée !",
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      "body": "Very sure these thoughts go through everyone's mind anytime it's mentioned. Museum, art exhibition. Even those haute-couture (!) \"fashion shows\".  Who buys them? We the commoner will ask? Who wears those? Oh it's fashion, they are taking photos of the clothes. Rubbish!\n\nI don't want to not say these sells stuff. But at the same time, we could think these sort of nudity or nude space, is still about perfection. There is very little, \"normal nudity\". They are getting some six seven packs, greco face. Nostrils too. Ever notice why the main actor never have some \"ill formed nostrils, ie. big, or flatter so to speak\"? /\n\nThe bad guy, perhaps 75% of the time will be that. Will be pudgy, or just not the perfect body.",
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      "body": "<center>![IMG_20180311_195854_129.jpg](https://steemitimages.com/DQmYLmWd7Q95CMiAxtz4jw2DPMrmBS7us9QQ4dqZHxhvRvb/IMG_20180311_195854_129.jpg)\n</center>\nIl y a quelques jours, j'ai pondu un dessin nommé \"PAЯADOXƎ\", que <a href=\"http://amystuff.net/dessin/03/2018/357/\">vous pouvez retrouver ici</a>, en deux versions. J'avais dit que je ferai une <i>auto-analyse </i>pour expliquer ce que je voulais communiquer, exprimer à travers ce dessin. La voilà donc...\n\n<hr>\n\n<h1>Aspect global</h1>\n<div id=\"global\" style=\"padding-left: 30px\">\n<h2>Le Personnage</h2>\nVous l'aurez sûrement compris, le personnage est victime de sa pathologie. Ce type de personnage amaigri, qui a son air maladif, est ce que j'appelle dans mes oeuvres <i>un pantin</i>. On peut lui faire faire tout ce que l'on souhaite. <b>Il en dememeurera passif et subira.</b>.\n\nAutre chose, le personnage est <b>androgyne</b> car il n'a pas de sexe, ni de genre défini. Cela peut permettre une meilleure identification au pantin. Mais aussi pour montrer que la souffrance n'a pas de genre.\n<h2>La Maladie</h2>\nPour renforcer l'idée de la maladie, le personnage est <b>allité</b>. On pourrait penser que les jambes sont sous la couverture, mais en réalité il n'en est rien. Les jambes <b>n'existent</b> tout simplement pas. Ce pantin n'a pas de jambe. Il est <b>bloqué</b>, paralysé par ce qu'il subit.\n\nLes cernes accentuent la fatigue. La fatigue d'être malade, la fatigue de lutter, la fatigue de (sur)vivre.\n<h2>Les Inscriptions</h2>\nOn distingue sur les bras deux mots opposés \"<i>Construct/Destruct</i>\". Étant passionnée d'art, j'ai choisi ces mots car ils reflètent le sentiment que j'ai face à ma pathologie. Quand je suis bien je (me) <b> construie</b>, <b>je créée</b>, quand je suis mal, je (me)<b>détruis</b>. Mais on peut très bien les remplacer par tout autre opposés comme <i>Bien/Mal</i>, <i>Bonheur/Malheur</i>, <i>Amour/Haine</i>, ou encore <i>Positif/Négatif</i>.</div>\n<hr>\n\n<h1>Le Paradoxe</h1>\n<div id=\"paradox\" style=\"padding-left: 30px\">\n<h2>Le Paradoxe en lui-même</h2>\nLe Paradoxe réside un peu partout. Les inscriptions basiquement. Le bras <i>de la construction</i> est <b>mutilé, abîmé</b>, alors que le bras <i>de la destruction </i>est recouvert d'un bandage, il est <b>réparé, reconstruit</b>.\n<h2>Sourire Paradoxal</h2>\nAutre chose, si on coupe le dessin verticalement, on obtient une sorte de symétrie qui oppose des éléments. Quand on s'attarde sur le sourire, la <b>partie joyeuse</b> se situe du même côté de la <b>Déstruction</b>. Et la <b>partie malheureuse</b> se situe du côté de la <b>Construction</b>.\n\n<i>On peut alors deviner une satisfaction de la destruction, et une démotivation de la construction</i>.</div>\n<hr>\n\n<h1>Autres détails</h1>\n<div id=\"details\" style=\"padding-left: 30px;\">\n<h2>Les couleurs absolues</h2>\nIl n'y a que trois couleurs: rouge, noir et blanc. Il n'y a aucune nuance. Le même blanc partout, le même noir partout, le même rouge partout. Elles sont <b>Absolues</b>. Comme pour signifier l'absolu de la pathologie. <b>C'est comme ça, on ne peut rien y faire. Le personnage reste figé dans l'absolu de sa pathologie.</b>\n<h2>Les fissures</h2>\nIl y a une fissure géante qui ouvre sur l'interieur du corps, et des mini-fissures qui en découlent. Elles se répandent sur le corps. Comme une brûlure. <b>Elles montrent que la consummation intérieure produite par la pathologie, brise petit à petit le personnage.</b>\n<h2>L'Interieur du corps</h2>\nLa fissure géante ouvre sur l'interieur du corps. Mais il n'y a aucun organe, le corps est vide. Déjà parce que je ne sais pas les dessiner, mais surtout, <b>ça ouvre sur la sensation de vide qui consumme le personnage.</b></div>\n<h1><b>Le Message</b></h1>\n<div id=\"message\">Le Personnage souffre. Souffre du paradoxe. Il est tiraillé,<i>de l'intérieur</i>, par \"construire\" ou \"détruire\".\n<b>Le Paradoxe est donc déstructeur, douloureux, consummant</b>...</div>\n<hr>\n\n<h1><b>Vos interprétations</b></h1>\nJe vous remerci pour les messages que vous m'avez envoyé comme retour sur mon œuvre. Ils m'ont permis de mieux la comprendre à travers le regard d'autrui. Voici vos interprétations, qui nourissent l'œuvre:\n<h3>Celle de <a href=\"http://steemit.com/@diamantnoir/\">Dimantnoir</a> (@diamantnoir):</h3>\n<img class=\"alignnone wp-image-393 size-full\" src=\"http://amystuff.net/wp-content/uploads/2018/03/screenshot_20180325-153816_1-1256577782.jpg\" width=\"720\" height=\"900\">\n\n<hr>\n\n<h3>Celle de <a href=\"http://patreon.com/dustyblacksheep/\">Dusty Black Sheep</a>:</h3>\n<img class=\"alignnone size-full wp-image-395\" src=\"http://amystuff.net/wp-content/uploads/2018/03/screenshot_20180325-154527_11140218160.jpg\" width=\"720\" height=\"1019\">\n\n<img class=\"alignnone wp-image-394 size-full\" src=\"http://amystuff.net/wp-content/uploads/2018/03/screenshot_20180325-154531_1-1696493399.jpg\" width=\"720\" height=\"992\">",
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