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      "title": "Personaje de Sherlock Holmes en los libros: análisis (parte 4)",
      "body": "**Adaptación contemporánea de El Canon Holmesiano a la ficción televisiva (Parte 3) -Entorno y antecedentes**\n\n**Canon Holmesiano**\n\nEl Canon Holmesiano es el nombre con el que se define a todos los relatos cortos y novelas escritos por Sir Arthur Conan Doyle. Este término se acuñó para diferenciar las obras originales de todas las escritas por otros autores sobre el célebre personaje o por aquellas basadas en él.\nEl Canon Holmesiano está compuesto de 56 relatos breves publicados en la revista The Strand y 4 novelas. Posteriormente, los relatos se recogieron en 4 volúmenes denominados, por orden de publicación, Las aventuras de Sherlock Holmes (1892), Las memorias de Sherlock Holmes (1894), El regreso de Sherlock Holmes (1906) y El Archivo de Sherlock Holmes (1927).\nEl Doctor Watson es el narrador de todas las obras de Sherlock Holmes, exceptuando La aventura de la melena de león (1926), narrada en primera persona y Su última reverencia (1917) y La aventura de la piedra de Mazarino (1921), que cuentan con un narrador omnisciente.\n\nhttps://cdn.pixabay.com/photo/2017/05/14/15/13/western-style-2312246_1280.jpg\n[Fuente](https://pixabay.com/es/estilo-occidental-antiguo-detective-2312246/)\n\n**Sherlock Holmes:**\n\nSherlock es un hombre racional que basa su vida en el método de análisis deductivo. Observa, conjetura, crea una hipótesis y se adelanta a los acontecimientos a raíz de lo descubierto. Considera que su metodología es una ciencia exacta y, por eso, su estilo de vida gira en torno a la racionalidad. En El signo de los cuatro (1890, p.5) Sherlock le dice a Watson que *“la investigación es, o debería ser, una ciencia exacta, que es preciso tratar de la misma manera fría y carente de emoción que toda ciencia exacta.”* Autor de varias monografías que ayudan a la resolución de casos y a la investigación forense, como “las diferencias entre la ceniza de distintas clases de tabacos” o “sobre las huellas de pies”, considera que Estudio en Escarlata es más una novela que un estudio intensivo como los que realiza él.\n\nEl aspecto físico de Sherlock Holmes ha ido variando a lo largo de los años, y también cuando se hicieron ilustraciones para los nuevos ejemplares. Esta es la descripción que Watson hace de él en Estudio en Escarlata.\n\n*En altura andaba antes por encima que por debajo de los seis pies, aunque la delgadez extrema exageraba considerablemente esa estatura. Los ojos eran agudos y penetrantes, salvo en los períodos de sopor a que he aludido, y su fina nariz de ave rapaz le daba no sé qué aire de viveza y determinación. La barbilla también, prominente y maciza, delataba en su dueño a un hombre de firmes resoluciones. Las manos aparecían siempre manchadas de tinta y distintos productos químicos, siendo, sin embargo, de una exquisita delicadeza, como innumerables veces eché de ver por el modo en que manejaba Holmes sus frágiles instrumentos de física. (Doyle, 1887, p.9).*\n\nCuando se ilustró la obra, se le añadieron una serie de elementos al personaje que nunca se habían mencionado en sus aventuras, como el sombrero de caza y la gabardina.\nEn todas las adaptaciones clásicas se presenta a Sherlock con este atuendo ya que es “la imagen” característica de él. Solo en el caso de Billy Wilder y su película La vida privada de Sherlock Holmes podemos encontrar una adaptación más humana. En ella.Sherlock recrimina a Watson los cambios físicos y psicológicos que le ha hecho en sus relatos.\nEs un personaje excéntrico y maleducado. Se siente superior en todos los aspectos y recurre al violín cuando no es capaz de resolver un caso.\nMuy entrada ya la noche, pude oír los suaves y melancólicos gemidos de su violín, señal de que se hallaba el músico meditando sobre el extraño problema pendiente todavía de explicación (Doyle, 1887, p.28).\n\nhttps://cdn.pixabay.com/photo/2017/01/31/18/15/comic-characters-2026154_960_720.png\n[Fuente](https://pixabay.com/es/personajes-de-c%C3%B3mic-la-delincuencia-2026154/)\n\n\nSherlock Holmes tiene una memoria selectiva, solo retiene en su cerebro los datos que le parecen interesantes o provechosos para su vida cotidiana. Por ejemplo, puede conocer y diferenciar cientos de tipos de tabaco, pero desconoce datos básicos como quién es la reina de Inglaterra o la teoría Copernicana.\n\n*“(…) Nadie satura su inteligencia con asuntos menudos a menos que tenga alguna razón de peso para hacerlo así.” (…) (…) Si sabía un número de cosas fuera de lo común, ignoraba otras tantas de todo el mundo conocidas. De literatura contemporánea, filosofía y política, estaba casi completamente en ayunas (…) (…) cuando descubrí por casualidad que ignoraba la teoría copernicana y la composición del sistema solar (…)” (Doyle, 1887, p.9).*\n\nNo manifiesta sentimientos hacia ninguno de los dos sexos. Describe el amor en el segundo libro, El signo de los cuatro (Doyle, 1890, p.76) como* “un estado emotivo que resulta opuesto al razonar frío y sereno, que yo coloco por encima de todas las cosas. No me casaré nunca por temor a perder el juicio”* Sherlock Holmes también es un experto del disfraz. En muchos de sus casos emplea atuendos y maquillaje para conseguir pasar desapercibido o investigar. En El problema final (Doyle, 1903, p.8) se disfraza de un eclesiástico.\n\n*(…) El anciano eclesiástico se había vuelto a mirarme. Instantáneamente, las arrugas se fueron alisando, la nariz se alejó de la barbilla, el labio inferior dejó de estar pendiente y la boca de farfullar, recobrando los ojos apagados e irguiéndose el cuerpo alicaído. Un instante después volvió todo él a desmadejarse y Holmes desapareció con la misma rapidez con que había surgido (…).*\n\nEn Un Escándalo en bohemia (1901) se disfraza de mozo de caballerizas: *“Aunque estaba acostumbrado a la extraordinaria habilidad de mi amigo para disfrazarse, tuve que mirarlo tres veces antes de estar seguro de que era él”*\nSi hay algo que caracteriza a Sherlock es que no busca mérito alguno. Resuelve los casos sin preocuparse lo más mínimo por la publicidad, es más, no le gusta la publicidad. Los relatos que Escribe el Doctor Watson le molestan y, cuando la policía recurría a él, se apartaba para que ellos se llevasen el mérito. Esto le llevó a estar muy bien considerado por la policía y ser admirado por todos. El inspector Lestrade le alaba en Estudio en Escarlata (1887, p.6) *“No, señor, estamos muy orgullosos de usted, y si mañana se pasa por aquí no habrá hombre alguno, desde el inspector más veterano al policía más joven, que no desee estrecharle la mano”.* También rechazó ser caballero en 1902, al mismo tiempo que Sir Arthur Conan Doyle se convirtió en uno.\n\nSherlock Holmes es un personaje peculiar. Cuando no tiene casos que investigar se aburre, y el aburrimiento adormece su cerebro y no puede soportarlo. Se pone de mal humor, dispara a la pared y se enfrasca en los libros para intentar distraerse, pero no es suficiente. Ocasionalmente, Doyle utiliza a Watson para reflejar de forma clara, aunque sin darle excesiva importancia, el consumo de drogas de Sherlok.\nLa primera vez que se hace alusión a su consumo es en “El signo de los cuatro”. En esta obra Watson nos describe cómo se inserta la droga y los tres momentos del día en que lo hace. También nos habla de la proporción exacta que consume para mantener su cerebro en funcionamiento y los efectos que le produce al tomársela.\n\nhttps://cdn.pixabay.com/photo/2014/01/14/09/53/london-244261_960_720.jpg\n[Fuente](https://pixabay.com/es/londres-sherlock-holmes-244261/)\n\n\n*-¿Qué ha sido hoy: morfina o cocaína? -Levantó sus ojos con languidez del viejo libro de caracteres góticos que había abierto.\n-Cocaína -dijo- Una solución al siete por ciento. (Doyle, 1890, p.4)\nActo seguido, Sherlok intenta explicar a Watson los beneficios que tiene para él la cocaina.\n-Me imagino que su influencia es físicamente mala. Sin embargo, encuentro que estimula y aclara la mente de una forma tan transcendental que sus efectos secundarios me resultan pasajeros. (…)Mi mente se subleva ante el estancamiento. Proporcióneme usted problemas, trabajo, deme los más abstrusos criptogramas o los más intrincados análisis y entonces me encontraré en mi abiente.Podré prescindir de estimulantes artificiales, pero odio la aburrida monotonía de la existencia…*\n\nEn uno de los relatos cortos, Un escándalo en Bohemia (1891), cuando Watson está casado y ha abandonado el piso, Sherlock empieza a consumir más de la cuenta. Watson nos lo cuenta casi al inicio del relato. También es la primera vez que aparece “La mujer”, pero ya hablaremos de ello más adelante.\n\n*Era poco lo que yo había sabido de Holmes en los últimos tiempos. Mi matrimonio nos había apartado al uno del otro. Mi completa felicidad y los diversos intereses que, centrados en el hogar, rodean al hombre que se ve por vez primera con casa propia, bastaban para absorber mi atención; Holmes, por su parte, dotado de alma bohemia, sentía aversión a todas las formas de la vida de sociedad, y permanecía en sus habitaciones de Baker Street, enterrado entre sus libracos, alternando las semanas entre la cocaína y la ambición, entre los adormilamientos de la droga y la impetuosa energía de su propia y ardiente naturaleza (Doyle, 1891, 3)\nEn muchas de las adaptaciones cinematográficas posteriores se ha hecho alusión a la droga que consumía Sherlock Holmes, pero sin lugar a dudas, La vida privada de Sherlock Holmes, de Billy Wilder, es una de las más explícitas, como puede observarse en la siguiente conversación que mantienen ambos personajes:\n\n*-Me ha pintado como toxicómano incurable solo porque ocasionalmente tomo una solución de cocaína al 5%\n-Al 7%\n-Al 5% o cree que ignoro que usted ha rebajado a espaldas mías\n-Solo recurro a los narcóticos cuando sufro un ataque agudo de aburrimiento.*\n\n\n\n\n\n----------------------------------------------------------------\n[Introducción](https://steemit.com/spanish/@clemen93/adaptacion-contemporanea-de-el-canon-holmesiano-a-la-ficcion-televisiva-parte-1)\n[Biografía Conan Doyle](https://steemit.com/spanish/@clemen93/adaptacion-contemporanea-de-el-canon-holmesiano-a-la-ficcion-televisiva-parte-2-conan-doyle)\n[Entorno y antecedentes](https://steemit.com/spanish/@clemen93/adaptacion-contemporanea-de-el-canon-holmesiano-a-la-ficcion-televisiva-parte-3-entorno-y-antecedentes)",
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