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      "body": "![novas-mulheres-saias-de-danca-de-salao-latina-salsa-tango-competicao-palco-topos-traje-feminino-saia-vestido-dancewear.jpg](https://cdn.steemitimages.com/DQmSZTTuonLLr21VJs6bpd9nuJrffneMDufF6Gerzg3T9Hd/novas-mulheres-saias-de-danca-de-salao-latina-salsa-tango-competicao-palco-topos-traje-feminino-saia-vestido-dancewear.jpg)\n\n\n\n\nWho ever noticed a weird caterpillar coming in through the door of the ballroom classroom, with wide pants, gowns, glasses, ponytail, keeping quiet for days and coming out transformed some time later?\n\nOne of the most beautiful scenes I have ever seen in nature is the metamorphosis of a butterfly. Yes, a silliness for those who lost the rich gift of dazzling themselves with the simple. From an almost invisible egg comes a clumsy, unwanted caterpillar, with movements seeming uncoordinated, to many, ugly, almost asexual. At one point, to stop feeding, it shrinks, and from its outer coating comes out a cocoon, a pupa, often even more queer than the caterpillar of minutes before. Thus she remains, quietly for days, operating an unbelievable transformation that until today keeps its mysteries.\n\nSome time later, a cone breaks and comes out from within, with a lot of effort, a strange body, with legs wobbling, wrinkled, crumpled wings, that seem an aberration, a fault making apparently painful movements. No one can help in this process, at the cost of causing a permanent deformity or the end. It is a time to win alone, like so many others in life. In a few minutes, exuberant wings begin a precise unfolding, revealing a being at the height of its existence, secure, with total control of itself, seeming to know its own beauty. A being ready for lubricity, to give continuity to the spiral cycle of the sequence of generations. A particularly incredible being, skilled at flying, one of the most desired abilities by man, which has already aroused from the follies of Icarus to the realization of Dumont and modern individual rockets.\n\n![24250804263_83857be71c_b.jpg](https://cdn.steemitimages.com/DQmQhhcA3rKtcS6TomZYeZ1zbR2wmZ3zhyDtmiz1tr6dYFq/24250804263_83857be71c_b.jpg)\n\n\nTo the good observer of life on the planet, this metamorphosis is one of the most exciting scenes, sometimes stamped in a naive garden. Again, a parallel of nature with ballroom dancing seems obvious. The caterpillar, in the classroom, begins by discovering itself in every timid movement that gradually amplifies itself by taking shape. The voice is heard gaining height and texture. It creates the courage to face the mirror, to discover its own undulations under the hiding place protected of the wide cloths, that every day, they peel. It begins to become clear to the sensual and free curves that so attracted Niemeyer. In the look of Álvares de Azevedo, curves that engrave on the clothing the \"eloquent contour\". Curves even more sinuous and lively dynamic when in dance. The space is born to enjoy the combination with other bodies.\n\nThe woman who walks awkwardly in the ballroom has all the exuberance of a female in full force, hidden somewhere, guarded as a precious jewel that is herself and no one else, who shares but does not divide . Ballroom dancing is the key that opens the chest of charms and guts, it's the key to freedom to be who you are.\n\n![autoestima-salua-1.jpg](https://cdn.steemitimages.com/DQmUZ9oQtxqwTkicTPiBCN9kHxK9mbFx2CyE2oTZCmSBS2L/autoestima-salua-1.jpg)\n\nAnd at some moment, which we hardly know what it is, the voluptuousness of the silky hair, loose in the breeze, the bright eyes visible from afar, the whiter teeth, the smoother skin, the beautiful wings painted in skirts, overflowing eroticism. 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      "body": "![porta bandeira.jpg](https://cdn.steemitimages.com/DQmXQxko8FoPWadGdU9tkerK8P7PGvfgcXa4hpPnvQdCK2K/porta%20bandeira.jpg)\n\nSamba is considered by many critics of popular music, artists, historians and social scientists as the most original of Brazilian musical genres or the typically Brazilian musical genre. Regardless of the centrality or not of samba as a national musical genre, its origin (or the history of its origin) brings us the record of an immense mixture of rhythms and traditions that cross the history of the country.\n\nThe samba originated from the ancient batuques brought by the Africans who came as slaves to Brazil. These batuques were generally associated with religious elements that instituted among the blacks a kind of ritual communication through music and dance, percussion and body movements. The rhythms of the batuque were gradually incorporating elements of other types of music, especially in the scenario of Rio de Janeiro of century XIX.\n\n\n![samba 2.jpg](https://cdn.steemitimages.com/DQmRkgfEYTQM3bn4TecBeqRuCEXeiA4CcsPXRNivQRucaij/samba%202.jpg)\n\n\nAs of the 19th century, the city of Rio de Janeiro, which had become the capital of the Empire, also began to behave as a group of blacks from other parts of the country, especially Bahia. It was in this context that the clusters around the Yoruba religions were born in the central region of the city, especially in the region of Praça Onze, where mothers and fathers of the saint acted. It was in this ambience that the first samba wheels appeared, mixing the elements of the African batuque with the polka and the maxixe.\n\nThe word samba refers, properly, to the fun and the party. However, like time, it came to mean the battle between specialists in the genre, the battle between who improvised better the verses in the roda of samba. One of the followings of the Rio samba, the high party, was characterized by this. As the researcher Marco Alvito said in reference to the history of the word:\n\n\n![samba2.jpg](https://cdn.steemitimages.com/DQmS5ieBKp7jso2NcJqqiVtu1Rie2iV1ySvZnuhyyUjzqMv/samba2.jpg)\n\n\n\"One of the possible origins, according to Nei Lopes, would be the Quioco ethnic group, in which samba means cabrile, play, and have fun as a kid. Some say that it comes from Bantu Semba, as the meaning of a navel or heart. It seemed to apply to Angola's nuptial dances characterized by the umbigada, in a kind of ritual of fertility. In Bahia comes the modality samba de roda, in which men play and only women dance, one at a time. There are other, less rigid versions in which a couple occupy the center of the wheel. (ALVITO, Marcos, Samba, In: National Library History Magazine, Year 9. No 97. October, 2013. p 80). \"\n![Samba 3.jpg](https://cdn.steemitimages.com/DQmUaEPPLvYCfypsURZuM1Pge4j2eKvjNkUU24qqtYmZmSX/Samba%203.jpg)",
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