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      "body": "I agree, Wally Brando was a like a McGuffin(?) off left-field, but that speech was priceless!",
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      "title": "Black Panther is the greatest movie of all time",
      "body": "![Black-Panther.jpg](https://steemitimages.com/DQmbtrH4vTP8GQMSEqKKuvJdjNH2BQQYitiVpPbTMN8H4VG/Black-Panther.jpg)\n\nBlack Panther (BP). So hyped I thought it was going to be impossible for it to live up. For the most part it does. It's a super solid movie and is at worst a top three Marvel Cinematic Universe film. I'd put it at second behind Ragnarok and just ahead of the first Guardians movie. Dope but not perfect, basically. But culturally it is what we need, or at least that is my unoriginal take.\n\nForever it's been the unspoken rule that black movies don't sell. Just like R-rated superhero movies would sell tickets before Deadpool.  This became the spoken rule when the Sony leaks came out. But it's the foreign audience that is racist... Right... But here we are.  With this dope black movie that is fucking crushing it. Right time? Right circumstances? Definitely. Yeah, what we need. Also a dope movie in a kick ass universe. Hopefully studios learn the right lesson here which I shan't get into.\n\nThe dumbest shit I've seen said about this movie is from fucking Breitbart which I shant link to (ever). At first the right said it sucked. Created Facebook events to flood Rotten Tomatoes with negative reviews to tank the audience score and shit. This was the alt-right reaction to what they call \"social justice warriors\" or SJWs. When that didn't work they took to condescending everybody with their \"hey black people, Wakanda does not exist.\" No fucking shit. No one fucking thinks that. Gotham, Metropolis, Atlantis. No one believes they exist either. When Justice League came out no one said anything like this. Shit is racist. Now, typically, they are claiming as their own which is fucking absurd. The dumbshit at Breitbart in \"The Movie’s Hero Is Trump, the Villain Is Black Lives Matter\" trolls us with shit like \"If T’Challa is Trump, Killmonger is Black Lives Matter. Did I just write that? Yes. I. Did.\" At first I thought he had only watched the first half of the movie because T'Challa abandons his isolationist philosophies but then we get this shit: \"By the end of the movie, T’Challa is even more like Trump inasmuch as he sees that his country of Wakanda cannot completely isolate itself from the world because he has a moral responsibility to help others,\" and \"if T’Challa were a left-wing Democrat — a Barack Obama or Hillary Clinton — he would oppose bringing people together.\" What's that now? This has to be a fucking joke. Not funny though. And the dumbest shit I've ever heard.\n\nRotten Tomato Consensus: Black Panther elevates superhero cinema to thrilling new heights while telling one of the MCU's most absorbing stories -- and introducing some of its most fully realized characters.\n\nPros: Story is fucking dope. Get some vegetarian representation, finally (though that character does make a joke about feeding a dude to his kids [\"JK. We don't eat meat.\"] which was sardonic and hilarious). The cast is sick.\n\nCons: The action is meh, like always. Every movie is Some of the CGI was shockingly bad. Like in the scene during the big battle near the end when BP tackles a rhino I laughed out loud it looked like such shit. It was worse than anything in the Lord of the Rings movies from 15 years ago. Definitely the worst CGI I've seen in a MCU flick.\n\nTo start, if there is hot black actor in a show or a movie you've seen in the last couple years, they are probably in this movie. Got Chadwick Boseman as T'Challa / Black Panther. Was James Brown, Thurgood Marshall, and Jackie Robinson. Lot of sweet historical roles there. Michael B. Jordan who was Creed in Creed, Wallace in The Wire, and QB1 in Friday Night Lights, is Killmonger (or as I call him, Murdergasm), the main villain dude. Lupita Nyong'o who was in 12 Years a Slave, Star Wars: The Forece Awakens, and The Jungle Book is one of the female leads/love interest, Danai Gurira who is Michone in The Walking Dead, Daniel Kaluuya who is the main dude in Get Out, Angela Bassett and Forest Whitaker who need no introduction are in it, as is Sterling K. Brown from This is Us and played Christopher Darden in American Crime Story. Martin Freeman and Andy Serkis (who was really dope) are the white dudes that are also in the movie.\n\nThe films gives us T'Challa who rises from prince to king--which comes with the perk of receiving the powers of the Black Panther--of the technologically advanced isolationist nation state of Wakanda. As seen in Captain America: Civil War, the previous king, T'Challa's old man, was killed in a terrorist attack. After a brief reign on the throne, Killmonger, T'Challa's cousin who's dad (T'Challa's paternal uncle), seizes power with the intention of using Wakanda's tech to cause worldwide uprisings for oppressed peoples (he isn't wrong but is sort of a total asshole [with his {spoiler} dying breath he basically tells T'Challa \"You still a slave, bitch\" but much more eloquently). Shit then hits the old fan.\n\nTwo things I've been focusing on with this movie--one of which came up in conversation while the other came up in a podcast--were how his suit works and vibranium as a metaphor for culture. The suit comes out of the dueling black panthers' necklaces. It sort of engulfs them. But late in the movie, at a point when the vibranium that they run on is neutralized, we sort of see the suit pealing off sort of thing where we get bare skin. So are they naked underneath that? Are their clothes like stuffed in those little teeth on the necklace? How are they clothed when the suit completely disappears? So forth. The vibranium as a metaphor for culture is the hottest take I've heard on the movie. Heard it on the podcast The Daily Zeitgeist. The guest was talking about an African friend of his who came up with this. Slick viewing, this guy. This guy says vibranium is \"a treasure trove of artistic and spiritual resources that, like Wakanda, are 'hiding in plain sight'-- disdained by whites, but also always at risk of being exploited by them.\" So basically look for academic study on this film in the future (which I'm totally into).\n\nOnly thing I can really shit on besides the CGI are the weapons that Okoye (Gurira) and Shuri (T'Challa's sister who is played by Letitia Wright and is like a super genius) use in the battle scenes. Okoye has these magic frisbee golf  discs while Shuri has these lame wizard hands that shoot concussion blasts of vibranium. Shit is whack. But, yeah, other than that shit is dope. You should watch it as it is the greatest movie of all time.",
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      "title": "The Killing of a Sacred Deer is the greatest movie of all time",
      "body": "![cf 2.jpg](https://steemitimages.com/DQmQKkdopnwWwt4YFNTiZvB4K8oJEjRRRxmytPFCG4YByPt/cf%202.jpg)\n\nHere we go. The Killing of a Sacred Deer. Horrorish I'd say. An extremely uncomfortable film that was beautifully done, darkly humorous, and while I'd recommend watching it, doubt that anyone, including myself will be watching it a second time. So I'm gonna call it the greatest movie of all time but I did not like watching it at all. \n\nThe film follows a cardiac surgeon played by Farrell who secretly befriends a teenage boy. He introduces the boy to his family, who then fall mysteriously ill. The boy reveals that this is revenge for the doctor killing his father on the operating table three years earlier and it will only end with the death of a family member, a decision he must make. But it is also a sort of a comedy. Totally strange bummer of a flick that made me LOL twice(ish). \n\nRotten Tomato Consensus: The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak -- and demonstrates again that his is a talent not to be ignored.\n\nPros: Performances are sold (especially from the creepy murder boy). The story is interesting and stressful in a good way. Surprisingly funny for a movie about a guy who has to kill someone in his family.  \n\nCons: Uncomfortable in so many ways the worst coming off the hypothetical (obviously). The ending is garbage and there are no consequences for anyone. \n\nNotes: It's supposed to have allusions to Greek mythology or whatever, I know more about the subject than most and didn't pick up on that shit, but ain't nobody got time for that. Directed by Yorgos Lanthimos, a Greek, I'm guessing, the film is based on the play Iphigenia in Aulis by Euripides which I am unfamiliar. You can look that shit up if you want. \n\nThe film stars Colin Farrell as the heart surgeon/psycho dad, Nicole Kidman as his eye doctor wife, Barry Keoghan as the creepy-ass kid (Martin) with the dead dad, magic powers, and Robert Durst eyes, and Raffey Cassidy and Sunny Suljic and the daughter and son respectively. Alicia Silverstone also makes an appearance as Keoghan's mom at an extremely strange dinner with Farrell and Keoghan where she just sort of starts randomly sucking on Farrell's hand, which he is not into. Yeah, it's that kind of movie. \n\nMovie starts with Farrell and Keoghan meeting at a diner. Farrell has sort of taken the boy under his wing and is sort of a mentor, I guess. Later we see him buying him an expensive watch as a present. They meet in secret at first but then Farrell invites the kid over to meet his family and have dinner. He lies to his wife and colleague at the hospital, an anesthesiologist, about how he knows the kid. I think it is pretty safe to say that everyone universally at this point thinks Farrell is fucking that kid. Turns out he is not. He just killed his dad—by accident—when he came in for surgery. Farrell was maybe drinking but didn't have more than a drink so that isn't supposed to factor into it. But this holds a grudge, if you can call it that, and wants to even the score. Dude took a member of his family. Now dude has to take a member of his own family. Through in a bunch of weirdness and that is the movie. But the weirdness is what makes the movie. \n\nSome of said weirdness. Farrell and his wife have some weird shit going on sexually where Kidman pretty much pretends to be a corpse and Farrell does her. This gets even more fucked when he is thinking about killing her and was one of the many things in the movie that was hard to watch (there is also some child torturing which I shan't get into). \n\nBasically all of the dialogue from every character is completely deadpan no matter what is going on which provides much of the film's dark humor. Like when the girl keeps losing her MP3 player and asks her brother if she can have his when he is dead in a couple of days. Or when the boy starts bleeding from his eyes and she yells, “dad, Bob is dying,” the way one would yell about say burning popcorn or something. Or when everyone, including the girl herself, keeps announcing in casual conversation that the daughter has just had her first period. It's that kind of movie. \n\nIn the end one person dies and everything goes back to normal—which again, not normal—and they just ignore all the insanity that went down. The outcome is just something everyone accepts and just moves on from. Murder, no big. \n\nSo yeah, solid movie. Weird as shit. No real consequences. Pretty unsettling. That about covers it.",
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      "body": "![it.jpg](https://steemitimages.com/DQmfV3n613tT97oEVMysC7NDwuQqJwKWk6i4mV9rbo2J3Zb/it.jpg)\n\nIt was so hyped that there was almost no way that it was not going to disappoint, at least a little bit. About the time we collective had decided this, critics came back and said, \"no, believe the hype, for reals.\" While It doesn't quite live up to all that, it was a very solid movie, especially for horror, which seems to be finally getting some respect as a genre.\n\nThe film follows seven bullied adolescents who come together to form the \"Losers' Club\" when a supernatural clown terrorizes them and kidnaps and eats children in the sewer system, where he resides, in town of Derry, ME. Along the way, we witness their growing pains like dealing with a sociopath, love triangles, and their parents (who are the worst). All that being said, this is basically nostalgia porn. It has its moments where it is scary but if you could handle Stranger Things then you can handle this.\n\nThe movie is only the second feature film of up-and-comer Andy Muschietti, which is extremely impressive, and stars mostly unknowns in Jaeden Lieberher as the leader of the Losers' Club Bill Denbrough and Bill Skargard (who was in Hemlock Grove [the rich vampire one] and Atomic Blonde and is the son of Stellan Skargard who was the killer in Girl with the Dragon Tattoo among other things) as the immediately terrifying Pennywise the Dancing Clown or It. Rounding out the rest of the Losers are Jack Dylan Grazer who sort of stole the show with his dry humor as Eddie Kaspbrak who is the smallish sickly one with asthma, Chosen Jacobs as Mike Hanlon--the black one, Sophia Lillis as Bev Marsh--the girl that Bill makes out with at the end, Wyatt Oleff as Stan Uris--the jewish one, Jeremy Ray Taylor who is the chubby one that also kisses and is into Bev, and Finn Wolfhard (whom you'll recognize as the main boy in Stranger Things [I think he does a better job here btw])as Richie Tozier who is the funny one with glasses. I don't know if this is a spoiler or not, it won't really make any sense if you don't know at least this so just roll with it, the movie is first of at least two movies movies based on Stephen King's book of the same name.\n\nPros: The acting is flawless across the board. Where do they find these kids? Skargard was really good too. Like when he is talking to Georgie, the first kid we see him kill, trying to get him to come up to the sewer grate, you hear a kind of desperation in voice that you didn't get with Tim Curry, the original Pennywise. Seeing my childhood years, I'd be about the same age as the kids in 1989, portrayed on screen is always pretty cool and this film really gets that time period, which is dope. It's just a really sweet movie about child abduction, murder, and cannibalism (though I guess technically not since Pennywise is a\n\nCons: Not as scary as I wanted it to be. Just a couple of jump scares and one super creepy scene. When Pennywise dances it is more unintentionally hilarious than spooky. They strip down two characters in a way that is pretty irritating.\n\nRotten Tomato Consensus: Well-acted and frightening with an emotionally affecting story at its core, It amplified the horror in Stephen King's classic story without losing touch with its heart.\n\nRandom thoughts on It: Here are my sort of complaints and one thing I thought was pretty awesome. First, there are two too many kids for a film of this length, at least in the way that the director/studio decided to do it. Those two kids are Mike and Stan who are basically just the black one and the Jewish one respectively. In the book and the miniseries this was not so. The difference was that they took away the two characters' things and gave them to Ben and Bev, giving them even more screen time. In the book it was Mike who does all the research on the town and discovers the pattern of the clown. In this film this role was given to Ben who had his own thing in the book (he was really good at building stuff). Stan, meanwhile, basically offers nothing. He is sort of the voice of reason, I guess, but less than in King's telling where he has a Spock-like presence. In this adaptation, he comes off more of a wuss. The most irritating thing here is that in the book, Stan saw the dead lights before the battle when they are kids, survived but was unable to completely adjust, and eventually was unable to deal when Pennywise reappears in adulthood (SPOILER FOR THE BOOK: Stan kills himself). SPOILER FOR THE FILM: Here they completely take that shit and give it to Bev which is sort of bull shit.\n\nMy biggest fear here is that they are setting up some long, horrible franchise like with The Conjuring movies. Could you imagine them doing prequels or even worse movies where they are old or their children fight Pennywise. Gag. Let's hope they stick with just one more.\n\nThe film is not as scary as I was expecting. There were basically two scenes that creeped me out and two scenes that made me jump. The scene in the garage is easily the most insane and where Pennywise is genuinely pretty terrifying and where he twists out of that clock during one of the battle scenes is cool looking and creep city. When he catches the kids he generally just grabs them and is like, \"Boogah-boogah! ... Are you scared? ... ... ... Boogah-boogah!\"\n\nThe movie had way more humor in it than the miniseries. It seems like they got the kid from Stranger Things just to crack wise, and he does a great fucking job. Like after they go to the reservoir and the young girl swims around and suns herself in her underpants and the boys lose it, the next day she says to them \"I need to show you something,\" and he asks, sardonically, \"More than you showed us yesterday at the quarry\" He is pretty good with the one-liners.Then there is Eddie who is just super dry and funny as shit. Example: Richie gives him shit about taking so many pills and he snaps back that he takes them so that he can do Richie's sister. Or something like that. Just like the kids I grew up with.",
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      "permlink": "spider-man-homecoming-is-the-greatest-movie-of-all-time",
      "title": "Spider-man: Homecoming is the greatest movie of all time",
      "body": "![v1.bjsxNjE0NjE1O2o7MTc0MzM7MTIwMDsyMDQ4Ozg1OA.jpg](https://steemitimages.com/DQmTKmLBURHLAJgVDLcPywdsD9zQ4LB9xCehitgr6s4JqLc/v1.bjsxNjE0NjE1O2o7MTc0MzM7MTIwMDsyMDQ4Ozg1OA.jpg)\n\nOut of the three Spiderman reboots I've seen in my adulthood, I'd put Spider-man: Homecoming slightly above the Sam Raimi/Tobey Maguire iteration. People that hate on either of those don't fucking know. What puts this one above the other two is, more than anything, its tying into the wider Marvel Cinematic Universe. First Spiderman movie to do that since that has been a thing, which is dope.\n\nHaving just come off his debut in the MCU in Captain America: Civil War, this film follows young Peter Parker as he adjusts to life as a superhero whilst going through normal, infuriating high school drama. After helping save the world or whatever, Parker finds life with his guardian Aunt May (the still lovely Marisa Tomei) to be pretty fucking boring. Plus he has father-figure Tony Stark (Robert Downey, Jr.) and Happy (Jon Favreau), Stark's bodyguard, monitoring his every move. As Parker hones his skills as a crime-fighter, the blue-collar villain Vulture (Michael Keaton) shows up to fuck shit up because reasons. It's not super clear but just roll with it. \n\nPros: Fun. Funny. Solid cameos. Keaton. The beautiful Tomei. They skip the origin story. Outstanding soundtrack. Solidly grounded in the MCU. The twist at the end. Cool Stark engineered suit with the Iron Man talking computer thing.\n\nCons: Villain is sort of weak/small timey. A lot of the high school kids are sort of annoying. \n\nRotten Tomato Consensus: Spider-Man: Homecoming does whatever a second reboot can, delivering a colorful, fun adventure that fits snugly in the sprawling MCU without getting bogged down in franchise-building.\n\nNotes: The movie opens with an origin story for the bad guy rather than yet another rehashing of Peter Parker's transformation. With Spiderman we just get a little bit of a rehashing of what happened in Captain America: Civil War. I still like that they use a person that could actually pass for a high school student instead of someone in his mid to late 20s (although actor Tom Holland is in fact 21). They even portray him as sort of a screw up. Like when his buddy tells everyone at school that Parker knows Spiderman most no one believes it, especially this raging prick who is more or less Parker's bully. There is some humor that comes about as a result of this like when Spiderman pounces down on his car or something while fighting crime, smashing the car, as Spiderman swings away the dude asks him \"if he knows Peter Parker.\" That dude is a fucking hater. Anyway, after that little recap of Civil War we jump right in. All of this is appreciated. Have a lot of time to do some character developing and what not instead of giving us a bunch of shit that everybody already knows.\n\nThis is the funniest/most fun of all the movies in the MCU. We get humor almost right off the bat with Tony Stark (Robert Downy Jr.), whom is a father figure as both a business man and as a superhero in his alter ego Iron Man, ending a conversation with Parker in a limo by reaching over him to open the door. Parker thinks he was coming in for a hug. Stark goes out of his way to explain that was not in fact a hug and that he just wanted him out of his car. Lot of the other humor somewhat relies on the cameos and your having to know who several B-listers are and their appearance is amusing. One is Hannibal Buress, Peter Parker's gym teacher, who is in no way athletic and might genuinely be insane. His role as a teacher and coach is absurd in that he has obviously not one for physical fitness and is more one for getting stoned and eating garbage. He is also into showing his students videos of Captain America, as any true gym teacher would be. The other stellar cameo is that of Donald Glover who is Troy on Community, the main dude on Atlanta, and soon to be Lando Calrissian in the Hans Solo Star Wars prequel. He plays some sort of stoner drug dealer dude who is not phased by anything and super unimpressed with Spiderman. Also of note are small roles by Kenneth Choi (Lewis from Last Man on Earth, Judge Ito in The People v. O.J. Simpson: American Crime Story), Martin Starr (whom you may recall from Party Down and Freaks and Geeks), and the Tom Hardy doppelganger from Prometheus (Logan Marshall-Green). Also get a glimpse of a picture of Kafka, one of my heroes and why I'm a vegetarian, who wrote the story \"The Metamorphosis\" about a dude who turns into a bug. It's god tier.\n\nAnother solid little thing I appreciated was that there were no Maguire spidey lips. When Parker scales the Washington Monument when his academic decathlon team travelled to DC and saves them from falling down an elevator shaft, his love interest, who has a thing for Spidey, stands near the elevator with Spiderman dangling upside down. She sort of starts to go in for the kiss but his web busts. No stupid kiss. Yay!\n\nAnywho, I'm not going to spoil the twist at the end other than to say that there is one and woah ho ho. Also, the outro credits are really cool to watch while you wait for the standard post credit scene at the end of every MCU movie. This one was dope. The best, I say.",
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      "title": "Ghostbusters (2016) is the greatest movie of all time",
      "body": "![ghostbusters.jpg](https://steemitimages.com/DQmZsYtAdP2d7nwuaTRgamF9JePfcG66xUWZZau2KyLsSN6/ghostbusters.jpg)\n\nI didn't see this in the theater in part because people kept saying it was trash. Those people don't know what the fuck they are talking about because Ghostbusters is the greatest movie of all time. I feel if you didn't like this fun ass movie, then you are a fucking hater and should be murdered. Female companion says this is coming on a little strong. I think she is coming on a little strong. Murdered I say!\n\nAnyway, when compared to the 1984 Ghostbusters this probably isn't quite as good we are all binary here, baby, and this new one, as of this writing, is the greatest, I tell you. We pretty much know the storyline: sort of the same as the original (ish) with ladies instead of dudes and a vastly different villain as well as ending. I'm not exactly sure if the four women (Leslie Jones, Melissa McCarthy, Kate McKinnon, and Kristen Wiig) line up with their male counterparts (Dan Aykroyd as Ray, Ernie Hudson as Winston, Bill Murray as Peter Venkman, and Harold Ramis as Egon), but if I had to I'd say Wiig is the straight man Akroid type, McCarthy is the Peter Venkman, McKinnon as the goofball in glasses one, and Jones as the black one (the early hate on her in this I'd guess has turned around). And Chris Hemsworth is in it and totally ridiculous. \n\nRotten Tomatoes Consensus: Ghostbusters does an impressive job of standing on its own as a freewheeling, marvelously cast supernatural comedy -- even if it can't help but pale somewhat in comparison with the classic original.\n\nPros: Hilarious. Casting is flawless. Cameos are fucking solid. Storyline is decent. \n\nCons: So much fucking CGI. Some really shitty jokes mixed in there. Slimer is terrible. \n\nNotes: Some stuff I liked in no particular order. The ladies make a bunch of references to the YouTube hate they got when they dropped the first trailer to show, “hey, we are in on it. We are meta and postmodern.” It's not particularly clever but it's there. In the movie they read the comments related to their ghost videos and they aren't kind. They keep saying stuff like, “you can't pay attention to what crazies say on YouTube,” wink-wink, nudge-nudge. Sort of overdone but it gets a pass because I am being generous and my eyes having been rolling enough as it is. \n\nThe guy that plays Sam Adams in Making History is just too weird to live, man. He plays this creep named Rowan North. He is the antagonist in the film. His thing is that he wants to usher in the apocalypse for whatever reason. Find out it's the old “garbage that needs to be cleaned” motive. He really comes on the scene when he plants some ghost summoning device at a concert and all hell breaks loose in probably the coolest scene of the movie. The Ghostbusters luckily capture the apparition and it goes viral. This brings about the best cameo as Bill Murray comes in as a paranormal debunker. He is such a dick and talks the ladies into releasing the ghost from its trap. It flies out and immediately kills him by throwing him out the window. The death was laugh out loud funny.\n\nThe most cringe-worthy joke comes when we get the “guilty as charged” bit which I apparently hated enough to jot down without any context. When I Googled the phase and “Ghostbusters” I got a lot of people also hating that line which was featured in the trailer. I am only guessing here, I actually watched this weeks ago but I'm a backed up on writing about all this shit, but I think it was something like “if it's crime being sexy, then guilty as charged.” Die.\n\nOther than the little nitpicky things I just listed, the giant Thanksgiving Day Parade balloons that show up out of nowhere which goes unexplained, and the CGI heavy corny-ass fight scene at the end, this was a solid movie with lots going for it.",
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      "body": "Ugh! Love this show too. After watching Ep. 8, I also had to write about it. So many [hidden messages](https://steemit.com/tv/@aubreyferreira/twin-peaks-analyzed-hidden-messages-in-gotta-light-episode-the-surreal-nature-of-reality) to explore! It's really a fascinating show. I can't wait till the next episode comes out. Happy watching.",
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      "body": "Hey, nice post. I can relate to the stream of consciousness thing; I've just written a blog which is a bit of  a splurge like yours. \n\nI agree with your points; it's odd how even cheesy stuff can work really well in TP, it's like only Lynch has the guts to pull it off. The Dougie stuff is both funny and tragic; I'm hooked.\n\nThat said, there are some duff bits. Also, have you seen Episode 8 yet? It's **insanely brilliant**. I talk about it in my first blog on steemit: https://steemit.com/blog/@thebigdelay/twin-peaks-season-3-recap-intro-to-the-show-my-fav-fan-theory-and-just-what-is-going-on",
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      "permlink": "a-nightmare-on-elm-street-3-the-dream-warriors-is-the-greatest-movie-of-all-time",
      "title": "A Nightmare on Elm Street 3: The Dream Warriors is the greatest movie of all time",
      "body": "![Nightmare 3 Adorbs.jpg](https://steemitimages.com/DQmQkE3m7LMg4hfinytPwq46zFQwbC4QjeXXUYa2Y3HHpSc/Nightmare%203%20Adorbs.jpg)\n\nThree Nightmare on Elm Street movies in and this one is my favorite thus far. Wes Craven returns as writer, which is obviously a positive, and they more or less ignore the previous movie, which is also for the best. Just missed the 30 year anniversary for this solid piece of horror kitsch.\n\nIn this NOES iteration we have good old Fredrick Krueger going after the last of the kids whose parents murdered him all of whom are staying at this mental hospital for reasons. Nancy is there in an official capacity, she must have been a real go getter at school to already be some sort of psychologist three years after the original NOES so just roll with it, to teach the children how to lucid dream. As such, each of these kids basically develop some sort of superpower that they use whilst in dreamland to combat Freddy scissor hand. \n\nHeather Langenkamp returns as survivor girl Nancy from the first one. Her pops, the ever cool John Saxon, he back as well. Also features a very young Patricia Arquette. Others making appearances that you would know are Lawrence Fishburne and the guy from Body Double who looks exactly like Bill Maher, Craig Wasson. And of course Robert Englund. A lot to like about this one. After Freddy's Revenge this was sincerely welcomed.\n\nInteresting piece of trivia about this film.Sam Raimi stole Freddy's glove and used it as a prop piece in Evil Dead II, my all time favorite flick, which came out that same year. Wes Craven and Raimi had this thing where they would have little nods to one another in their movies throughout the decade as a way of saying \"my movie is scarier than yours.\" It all started with Craven putting a Jaws poster in The Hills Have Eyes. Raimi, thinking that was cool, decided to do the same thing when in The Evil Dead he featured a scene with a torn The Hills Have Eyes poster to basically say the same thing. Next, Craven had Nancy's character in A Nightmare on Elm Street trying to stay up while watching The Evil Dead It then culminated with stealing the glove which you can see in the shed above the door.\n\nPros: Cast is fucking dope and surprisingly well acted for a NOES flick. Effects are also solid. Fantastic kills. Dream sequences are eerie and cool. \n\nCons: Freddy's backstory is pretty weak. A few of the effects don't age very well (the fighting Freddy bones). Also, Freddy at one point coexists both as a physical skeleton and an ethereal dream killer which is sort of problematic (like, is the skeleton on autopilot while fights with kids or what?).\n\nDisclaimer: My notes pretty much always contain some spoilers but I rarely give away the ending.\n\nNotes: Movie opens with Arquette. Good call more or less building the movie around the young starlet who looks like an adorable child at this point in her career. Dreams that Freddy is chasing her about in some shitty house. He comes at and slices her wrists before she comes to. Her mother, a real Mommy Dearest type, thinks she tried to eliminate her own map and sticks her in an institution where Nancy is on staff as some sort of intern or something. Her methods are not conventional.\n\nA couple of really fucking cool early deaths. Probably the two best in the franchise and they run back-to-back. The first is this sleepwalker dude. With this poor bastard Freddy basically pulls out the tendons on his arms and legs and fucking walks him around like a puppet. He then takes him to the ledge of the building and cuts the \"strings\" which causes him to splat below. In the second, the other blonde one that is not Arquette earns a spectacular death that ushers in the era of Freddy dropping one-liners before every kill. She starts the scene by watching TV in the common room. The Dick Cavett Show is this evening's chosen entertainment. How they got Cavett to do this cameo is beyond me. That night he was interviewing Zsa Zsa Gabor. She was an actress at one time, of course, but by this point, and the way I remember her, she was little more than a socialite, sort of like Paris Hilton, whom she was actually related to by marriage. He was supposed to interview Sally Kellerman for the bit, I always thought she was really pretty, but she didn't end up doing it for whatever reason. Cavett was then allowed to choose the person who he'd interview. He picked Zsa Zsa saying \"she was the dumbest person\" he'd ever met in his life, he'd never have her on his show IRL, and if there was one person he'd want to see killed by Freddy it would be her. Their back and forth is ridiculous. She is wearing this feathery boa thing. Cavett asks her how many animals died for that thing. Zsa Zsa is like, \"I don't know. Is it real? I don't know where it comes from.\" Cavett is like, \"Oh, it probably came from an artificial bird.\" They drone on about how to succeed as an actress and such, ironically, when he turns to her and says, \"can I ask you something?\" Zsa Zsa, \"uh, ok.\" Then Cavett says, \"who gives a fuck what you think,\" turns into Freddy, and fucking kills her. The girl is like, \"what the fuck am I watching,\" which leads to the best of all of Freddy's one-liners, \"welcome to primetime, bitch,\" and then this happens.\n\n![nightmare 3 tv.jpg](https://steemitimages.com/DQmU5MKBGNXSXe5h9b7o6BC4PPc4q9hiiU1azKi6k9JoEoa/nightmare%203%20tv.jpg)\n\nLed by Nancy, around here the group starts more or less getting superhero powers in their dreams. Arquette, for example, can pull people into her dreams and do gymnastics (which is next to worthless). The others include the black dude who is like a pudgy strongman, the wheel chair wizard kid shoots the infamous 80s blue lightning and dies, and the punk, drug addict chick who is “beautiful and bad” who looks fucking awesome with a ginormous mohawk.\n\nOther things of note in the movie are this horny idiot Joey who by some miracle makes it to the end to the movie. Freddy pulls ye olde pose a hot, big breasted blonde way out of the dude's league. Here he starts hooking up with this nurse that matches the above, gets literally \"tongue tied\", and held captive for most the rest of the movie. You'd think he would have learned something from this experience. No, he does not as we see in NOES 4: The Dream Warriors when the same fucking thing happens only this time the chick is on some beer poster and instead of getting tied to the bed by a rope, tongue obvious Bob Shaye addition, he gets pulled into and drowned in his waterbed. Also, the blonde in this one almost turned into Freddy with boobs which was just too much for everyone.\n\nLastly, the flick features Freddy's birth story which was a weird addition. Basically his mother returns to this hospital where she worked as a nun/nurse and Fredrick was conceived during a 100+ psychiatric patient gang rape. No one wants to hear that shit. Other than that and some 80s cheese, pretty solid. Would recommend.",
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