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      "body": "Siempre he sentido fascinación por esta técnica. El resultado quedó bello! La selección de colores muy acertada*",
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      "author": "jaxigold",
      "body": "Saludos, Gregory* Gracias muy sinceramente por compartir libremente las partituras de tu arreglo a la pieza Curruchá. Este tema está en mi top tres de temas favoritos del folklore venezolano ¿Has escuchado la versión de Los Crema Paraíso ft. Andre Echeverri? Si no, aquí te lo comparto.  La versión me parece genial y el video, sencillo, pero muy gracioso y creativo.\n\nhttps://www.youtube.com/watch?v=JmehRRxfqPU\n\nMe encanataría tener la ocasión de escuchar en vivo tu arreglo. \nCariños y respeto / quedamos conectados*",
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      "body": "https://medias.audiofanzine.com/images/normal/yamaha-yc-20-559733.jpg\n\nLos combo organs se popularizaron a mediados de 1960 debido a la gran cantidad de bandas que necesitaban unas teclas portátiles, no sólo capaces de reproducir el sonido profundo de los órganos de pared, sino también  aguantar la pela del rock y la gira.  Los órganos salieron de las iglesias, el templo se convirtió en tarima y hasta el día de hoy existen fervientes devotos de ese sonido de teclas vibrantes y psicodélicas de bandas como The Doors, Iron Butterfly, Strawberry Alarm Clock, The Animals, Manfred Mann y Them, sólo por mencionar algunas. \n\nFueron varias las casas de instrumentos que se encargaron de llevar la tecnología de los órganos a otro nivel. Por supuesto Yamaha fue una de ellas. Partiendo de su serie Electone, concibieron en 1966 su primer combo organ: El A-3.\n\nhttp://www.combo-organ.com/Yamaha/A3-2e.jpg\n\nhttp://www.combo-organ.com/Yamaha/A3-2b.jpg\n\nhttp://www.combo-organ.com/Yamaha/Yamaha%20A3%202j.jpg\n\nhttp://www.combo-organ.com/Yamaha/A3-2i.jpg\n\nHoy en día conseguir este teclado es una rareza, se cree que se fabricaron muy pocos, en comparación con otros combo organs de su generación que sí se produjeron masivamente. El A3 sirvió como abreboca a la popular serie YC de Yamaha. El primero de su clase, el YC-10, salió al mercado en 1969. En 1977 costaba $595 y se podía conseguir en dos colores: rojo o negro. Contaba con dos secciones: bajos en las teclas negras y agudos en las blancas, característica que se repitió en los modelos posteriores de esta serie. \n\nhttps://www.youtube.com/watch?v=Rt3S12AZU00\n\nSu sonido parte del matiz profundo de un órgano convencional, pero gracias a sus controles, se pueden alcanzar tonalidades mucho más brillantes y vibrantes. En eso se parece bastante al modelo que le sigue: El YC-20, la diferencia está en que este último introduce el efecto percutivo, control manual del bajo, mayor cantidad de niveladores de tonos y touch vibrato adicional al vibrato normal con modulador de velocidad e intensidad.\n\nhttp://www.combo-organ.com/Yamaha/YC-20C.jpg\n\n![yamaha yc20.jpg](https://cdn.steemitimages.com/DQmS3VENEHwvReBeeN2nvgwXuGYgHhLt5vhF5H1FD9K7mBB/yamaha%20yc20.jpg)\n\nEl de aquí arriba es mi hierro; lo conseguí a precio de regalo y cuando lo recibí, dejó de funcionar. Tenía muchos años sin tocarse y además fue transportado en el maletero de un bus desde una ciudad que está a diez horas de la mia. Algún golpe sufrió durante el trayecto que afectó la fuente de poder y esto a su vez ocasionó un cortocircuíto. También padecía de otros males  producto del tiempo y el descuido. Pero no le perdí la fe al instrumento y meses después volvió a la vida, listo para rockear, luego de una cirugía a órgano abierto en el laboratorio del Maestro Jim Koviac (en otro momento se los presentaré  debidamente).  Hace poco más de un año que lo tengo conmigo funcionando; desde entonces he estado explorando el universo de posibilidades que ofrece. Es un teclado con mucha personalidad y presencia. Tiene 44 teclas para agudos y 17 para bajos, pero la sección de agudos puede extenderse para un total de  61 teclas. Tocarlo es emocionante; su sonido estremece y llena la sala.  El touch vibrato es una característica interesante que permite imprimir más expresión a la interpretación. Lo he visto en varios colores, además del convencional rojo o negro.\n\nhttps://www.youtube.com/watch?v=rOeSgi5gkrg\n\nEl YC-20 fue lanzado al mercado en 1970 y en 1977 costaba $895. Hoy se pueden conseguir desde $400, los menos concervados, hasta $800 o más aquellos que lucen y funcionan como recién salidos de la tienda. El mío costó $50 y la reparación fueron unos $40. Este teclado a sus 48 años es un superviviente y funciona bastante bien, en lineas generales. Tiene sus desperfectos, pero les he cogido cariño; siento que le imprimen historia y carácter a su sonido. Es un teclado rebelde y algunas veces indomable, eso me gusta. \n\nPor lo general, uso mi YC-20 conectado a un amplificador Roland Cube-40 para teclado y la verdad estoy bastante satisfecha con el resultado al momento de componer o ensayar. Aún no he sacado el órgano de mi estudio casero, por lo que no hay nada que pueda decir sobre su desempeño en tarima, pero algo que sí me hace pensar es la logística al momento de llevarlo algún toque: pesa 40Kg. Para la época sin duda significó un gran avance en cuanto a practicidad; hoy en día existe un nueva versión viajera del YC-20 que pesa 2Kg.  \n\n![RefaceYC-large.jpg](https://cdn.steemitimages.com/DQmXi5be1v4x9Yp6fFgsGcEPLDSy3X1p1aURtcF9tPSdEHn/RefaceYC-large.jpg)\n\n![yamaha-reface-yc-yc-20-750x350.jpg](https://cdn.steemitimages.com/DQmPPSSZxfrfSQrNgmWxwnyTQvUGa2u2h5kSDPcvS7b9Qin/yamaha-reface-yc-yc-20-750x350.jpg)\n\nEl YC-20 es bastante respetado dentro del mundo de los combo organs. Bandas y músicos como Smash Mouth, Terry Reilly, Philip Glass, The Doors, Los Ángeles Negros, Iron Butterfly y The Msyterians lo utilizaron en sus grabaciones y presentaciones.  Sin embargo, no fue el combo organ más popular de su época, muchos prefieren Hammond, la Serie Combo Compact de Farfisa, el Vox Continental o Vox Jaguar. También hay otras marcas y modelos que merecen ser revisados: la serie Top de Ace Tone, el Gibson G-101, el Fender Contempo, entre otros. Pero comparado con sus afines, la Serie YC de Yamaha resalta del resto en par de aspectos. El primero, lo muy bien construídos y ensamblados que están; en el presente son de los que mejor se conservan y funcionan. El segundo su versatilidad, pues dependiendo de cómo se gradúen sus controles se pueden obtener sonidos bastante similares al Hammond, Farfisa o Vox.  \n\nRecientemente descubrí una banda más actual que usaba el YC-20: Apparat Organ Quartet. Jóhann Jóhannsson, miembro de dicha agrupación, dijo para drownedinsound.com: “El Yamaha YC-20 es uno de los órganos más recientes en unirse a la colección de AOQ. (...) Su sonido puede ser de ensueño o fuzzy y agresivo. Se lo compré a un músico danés que había viajado muchos años con el teclado y nunca le falló. Está construído en un robusto estuche, lo que lo hace un excelente órgano para llevarlo de gira. He tocado un par de veces con él y ha cambiado para mejor el sonido en vivo de la banda...”\n\nhttps://www.youtube.com/watch?v=WTIAvopghRg  \n\nLuego del YC-20, Yamaha lanzó el YC-30, el YC-25D y el YC-45D. Este último, conocido popularmente como la versión Cadillac, salió al mercado en 1970 y en 1977 costaba $2.975. Hoy en día se pueden conseguir muy bien conservados en más de $1000. \n\n![yamaha-yc-45d-1565242.jpg](https://cdn.steemitimages.com/DQmahDD7QQr9Bs95y7og7j5ofCxR5WaNKg5xGMkXUGt6Zp4/yamaha-yc-45d-1565242.jpg)",
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      "author": "lucioni",
      "body": "Por nada, es un placer hacerte compañia en ese confortable sofá de sueños. Cuídate amiga :)",
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      "body": "Súper bien sintetizado y fácil de digerir; este tema puede resultar extenso y denso. Todos debemos contribuir al despertar de los menos entendidos y aún esclavos (infelices) de este modelo de vida insostible para el humano que merece ser pleno y libre.",
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