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      "body": "Oui, j’ai reçu le feu sacré. Ce sentiment fort et associé à une activité difficile qui impose un investissement qui se communique entre gens de même passion. Enthousiasme et embrasement au service de l’art, ce métier est difficile et exigent. \n\nL’art est au service du beau et du sacré. Le feu s’alimente et conduit vers le parfait.\n\nA propos de feu, j’avais rencontré un producteur de spectacle fou et génial. Le génie touche souvent la folie. Il faut être décalé pour créer. \n\nCe dernier avait monté un festival « West Side Evasion » au Casino de Soulac (sur la côte Atlantique) où il avait fait venir plusieurs conférenciers dont Haroun Tazieff, le célèbre volcanologue.\n\nPuis mon intervention pour mettre le feu aux planches. J’avais notamment chanté en duo avec José Todaro du Châtelet de Paris. Pays du Sourire, Contes d’Hoffman, Belle de Cadix faisaient partie du répertoire de la soirée.\n\n![maite-opera3.jpg](https://cdn.steemitimages.com/DQmcNSr2xyiyWUtTpz1wrFPkfBki33UXV1NidQZvX6msjA9/maite-opera3.jpg)\n\nA propos de feu, l’organisateur me réserva une surprise à la fin du spectacle, lorsque je réclamais mon cachet pour la prestation. Il me répondit « Attendez, votre cachet va être grandiose et fantastique ».\n\nEt là retentit dans le ciel un superbe bouquet d’artifice. Tonitruant et éclatant. Je restais médusée et le producteur me faisait un grand sourire, très satisfait de lui et de cette belle surprise.\n\nMa réponse fût en rapport avec ma stupéfaction. Je m’étais produite sur scène toute la soirée, avait assuré le spectacle, et tout ça pour m’entendre dire que je n’aurais pas de cachet. Ma seule récompense serait ce feu d’artifice. Certes en mon honneur mais dont tout le monde avait profité. Bref, je suis venue assurée la soirée pour être récompensée par quelques pétards tonitruants.\n\nEvidement, ce deal ne me convenant pas, je me mettais moi aussi en pétard.\n\nIl me rétorqua : « Quelle ingrate vous faîtes ma petite fille », en insistant bien sur le « a » de ingrate. « Je vous fais un royal hommage et vous me réclamez de l’argent ! C’est très décevant de votre part ».\n\nJe n’eu d’autre choix que de me résigner, car l’individu n’en était pas à sa première affaire.\n\nEn effet, il avait invité de nombreuses personnalités de la ville et des alentours, sur le compte de la production. Les ardoises devinrent de plus en plus spectaculaires (d’ailleurs bien plus que le feu d’artifice qui m’avait été offert). Les commerçants de la ville de Soulac et son député maire Xavier Pintat s’en souviennent encore.\n\nLe-dit organisateur, Jacques Eugène S. finit en prison où il se plaisait beaucoup, d’après ses dires. Nourri, logé, télévision, c’étaient de belles vacances qu’il n’avait pas eu depuis longtemps.\n\nQuand je vous parlais précédemment du côté fou et décalé d’un artiste, c’est un bel exemple.\n\nLe feu sacré peut conduire jusqu’à la destruction d’une vie si non ne sait pas le maitriser. J’ai attrapé un coup de soleil, un coup de coeur, un coup de sunlight pour embellir la vie d’un feu sacré.",
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      "body": "Après l’épreuve, les pubs. Les répétitions terminées, souvent vers minuit ou & heure du matin, j’aimais beaucoup aller me détendre dans un pub anglais dans lequel on jouait du jazz. A chaque ville dans laquelle je jouais, je cherchais un de ces pubs, et je me plantais au bar, cigarette « gauloise troupe » au bec. Quand on aime la provocation on ne recule devant rien, même fumer des Gauloises de l’armée quand on est chanteuse d’opéra. Heureusement, j’avais une voix solide.\n\n![maite-opera2.jpg](https://cdn.steemitimages.com/DQme6uwt2HR4ZWx81e76ZMTyGfgC49ovKs7BDdzBYA7XZ7K/maite-opera2.jpg)\n\nPar alternance avec le classique, j’aime énormément le jazz vu que j’ai eu deux formations : classique de part mes parents, et de jazz de part mon oncle qui était musicien de jazz à l’Eléphant blanc à Paris.\n\nJe passais tous mes étés à Biarritz où il avait son orchestre au casino. D’ailleurs pour mes 15 ans, il descendis de l’estrade, tous les musiciens habillés en blanc, pour venir à ma table et jouer « romantica ».\n\nLui détestait le classique, il trouvait ça ringard. Si bien que les repas familiaux, avec mon père intégriste du classique finissaient toujours par un pugilat.\n\nDonc son empreinte orienta cette attirance pour le jazz. \n\nCe jour là, j’étais à Gant en Belgique car je chantais à l’opéra Manon de Jules Massenet. L’après-midi, j’avais couru tous les magasins de la ville pour me trouver une robe bien précise, rouge, longue, fendue sur les côtés, avec une capuche. \nJe fis donc mon entrée dans le pub « Oliver Twist » avec ladite robe. Il se trouva qu’il y avait au bar une jeune femme qui avait exactement la même robe que moi.\n\nLe très beau patron du pub se pencha vers moi et me dit à l’oreille « entre parenthèse, elle vous va beaucoup mieux. Puis-je vous offrir du champagne ? »\n\nJe lui répondit « ça gaze »\n\nIl me demanda ce que je venais faire à Gant, et je lui répondis que je venais chanter à l’opéra. Il éclata de rire et âme répondit « c’est pas bien de se moquer de moi, vous n’avez rien d’une chanteuse d’opéra question look ». A l’époque évidemment elles étaient toutes très plantureuses alors que moi je ne pesais que 45kg.\n\nIl me demanda d’attendre la fermeture du pub pour m’amener danser. Ce que je fis, jusqu’au bout de la nuit.\n\nPuisqu’il ne vous pas me croire, je lui offris une invitation pour le spectacle du lendemain. A la fin de la représentation, il était sur le pas de la porte de ma loge et n’osait pas rentrer, tellement impressionné par ma voix. \n\nNous nous vîmes pendant une dizaine de jours, plutôt de nuits. 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