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      "body": "![_MG_8717.jpg](https://cdn.steemitimages.com/DQmRYsoKGmEVKxnaWR3HWiuTSw7TntMaTFQdUWfh3vqgviC/_MG_8717.jpg)\nUn fuerte abrazo y amable saludo,\nEn el andar de nuestras vidas siempre nos topamos con situaciones que ponen  en peligro nuestra esencia llegando a dañarla  o dejando  cicatrices  que se valen de la oscuridad para ocasionar dolor en nuestras almas, sujetándose de las debilidades que nos abruman a su vez estas se alimentan generando un punto de caída que dia a dia se manifiesta en los llantos, depresion y malos habitos que nos hacen ser nocivos para nosotros mismos y en consecuencia para el entorno y circulo social.\nMas allá de todo aquello visualizamos unas pequeñas luces que se muestran a la lejanía como cuando un barco navega sin rumbo; si eres astuto captas las luces que se manifiestan a la distancia remando hacia ellas sin sentimiento negativo solo dando lo mejor de ti para llegar lo mas pronto posible y no perderte la belleza de su iluminación. \n\n![friends.PNG](https://cdn.steemitimages.com/DQmczF6LiGPUyAb5yuN1Sg3oo8mbetcqgTi3vFw2E8VpHH1/friends.PNG)!\n\nCuando hablo de iluminación me refiero a los amigos, estas personas que dan un valor agregado a nuestras vidas, que son tan volátiles e impredecibles; hablar de amigos puede ser un poco difícil ya que se habla de que un día pueden estar ausentes, mas allá de todo eso las experiencias que se viven son las que se guardan en una parte de nuestro cerebro. Considero que los amigos son una especie de ahorro que hacemos para que a través del pasar de los años se demuestre el valor de cada uno de ellos y propósito.\n\n\nNo soy filosofa pero si artista, cabe destacar que en la medida que avanzo en la composición de mi lenguaje plástico una parte de ellos se hace presente; en la manera como empleo los colores, matices, mezclas y trazos de un desgastado lápiz semi blando que enriquece el vacio que puede existir en un lienzo o papel manejando una composición estructurada pero a la vez libre y abierta como el aire que alimenta y mantiene de pie a un ente ordinario y terrenal.\n\n![P6010268.JPG](https://cdn.steemitimages.com/DQmcPKQ3DvHCW85bBSyyu8pQNPAPq4uG6AA6qdvkFr3T2AD/P6010268.JPG)\n\n Las carcajadas que se intercambian en un simple día no tienen precio al medir los beneficios que brindan a la salud mental, se dice que si tienes amigos puedes vivir un poco mas; aun no compruebo eso pero algo real es el crecimiento personal que logras al elegir buenos amigos que con sus palabras, acciones o estilos generan conflictos  que se confrontan con la manera propia de pensar llevándonos a ver otras realidades que se hacen cómplices de la cotidianidad simple pero al mismo tiempo tan compleja como el genoma.\n\nEn fin, el viaje de la existencia es pesado y muchas veces no puede tener sentido, pero es gracias a las amistades y las interrelaciones que poco a poco va tomando forma; es algo parecido como cuando se esculpe, barro al inicio que dependiendo como lo emplees tomara forma coherente de acuerdo a tu realidad y terminara siendo arte que ilumina tus pasos, tan bello, poético y ameno como el abrazo de un amigo .\n\n![deha.jpg](https://cdn.steemitimages.com/DQmfGbnokbWLzSMW9XSogV4u3WGJ2Ct9oG93CxiWzoroGYD/deha.jpg)",
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      "body": "![secundarios.PNG](https://cdn.steemitimages.com/DQmd2BPZLasJbgd3t6SKsoDjWwBRjXdXLsofiE4BbbtszhJ/secundarios.PNG)\n\nLos colores secundarios \nverde, naranja y violeta o púrpura\nson la combinación de dos colores primarios mezclados\nen partes iguales. Esto hace los colores secundarios\nmás complejos y versátiles que los primarios. Los colores\nsecundarios funcionan bien cuando se usan uno con otro\no en combinación con los primarios. Debido a su intensidad,\nlos colores secundarios se usan frecuentemente para\nacentuar, especialmente con colores neutrales.\n\n![colores intermedios.PNG](https://cdn.steemitimages.com/DQmNWT4QPKbCRezDX1Mujzw7tgwyeU3PA7KN5H4txavonnm/colores%20intermedios.PNG)\n\nLos colores intermedios o terciarios\n Son los que se obtienen\nmediante la unión de un color primario con uno\nsecundario, por ejemplo, el color resultante de la mezcla\ndel amarillo (color primario) con el verde (color secundario).\nEl color resultante será considerado un color intermedio,\ny estará compuesto por pigmento amarillo y verde\na partes iguales.\nEn la denominación de estos colores intervienen los dos\ncolores utilizados en su composición. Primero citaremos\nel color primario, y a continuación el secundario. Por\nejemplo: Amarillo-verdoso, Rojo-anaranjado…\n\nFuente, www.anibaldesigns.com",
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      "body": "![modelo ryb.PNG](https://cdn.steemitimages.com/DQmW4L7M8VNnuJYBxoSWzgzpiHNSia4QgTZ6Q6W41gsE53L/modelo%20ryb.PNG)\n\nLos colores primarios son aquellos colores que no\npueden obtenerse mediante la mezcla de ningún otro,\npor lo que se consideran únicos. Tres son los colores que\ncumplen estas características: amarillo, magenta y cyan.\nPara el estudio de artes plásticas son el rojo fuego, azul\nultramar y amarillo aunque este ultimo es impreciso al\nmomento de querer hacer una impresion de calidad,\nes solo aplicado a las artes.\n\n![modelo cmy.PNG](https://cdn.steemitimages.com/DQmbjB6MNvZZXvk1CQsoKnucNnrBAL21tJuZQ2qZmTLUgqN/modelo%20cmy.PNG)\n\nModelo RGB\nAzul + Verde = Cian\nVerde + Rojo = Amarillo\nAzul + Rojo = Magenta\n\n\nModelo CMYK\nAmarillo + Cian = Verde\nAmarillo + Magenta = Rojo\nMagenta + Cian = Azul\n\n\nModelo RYB\nAmarillo + Rojo = Naranja\nRojo + Azul = Violeta\nAzul + Amarillo = Verde\n\n\nModelo RYB\n= Color Luz Modelo CMY\n= Color Pigmento\n= Color Pigmento\n\nFuente, www.anibaldesigns.com",
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      "body": "![sustractivos.PNG](https://cdn.steemitimages.com/DQmd2L9mLMxtRZeSa3U9zhJrRFSqwmxWhi919GmVsiF1x2y/sustractivos.PNG)\n\nColores sustractivos son los que usa por ejemplo un\npintor de paredes usa para mezclar los colores y son a los\nque nos referiremos en dibujo. La suma de los tres es\nel negro, la ausencia de todos el blanco (el papel).\nTambien son los que se usan en una imprenta. Mirando\ncon una lupa una revista en color se pueden ver\npuntos de color cian, magenta y amarillo. Tambien se\nven puntos d e color negro. Las imprentas usan el\nnegro ademas de los tres colores primarios porque\nlas letras son habitualmente de ese color (CMAN o\nCMYK en ingles).\n\nEl color pigmento o color materia proviene del  óleo, tempera, lápices de color, etcétera.\n\n![color materia.PNG](https://cdn.steemitimages.com/DQmW7goqcCxJcNpkt7FyWQnV7za5cEACVzE6ScpxVdiT6Vu/color%20materia.PNG)\n\n\nFuente, www.anibaldesigns.com",
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      "body": "![aditivos.PNG](https://cdn.steemitimages.com/DQmVaFmGbS7VsovFG3nxfyJq9We2reUtuohyuhj3JM1pzQM/aditivos.PNG)\n\n\nColores aditivos son por ejemplo los de los focos de\nun escenario que se usan para conseguir una iluminacion\nde un color concreto. Tambien los que usan\nlas pantallas, mirando con una lupa la pantalla de un\nordenador o de una tele se pueden ver puntos de\ncolor rojo, verde y azul (RVA o RGB en ingles). La suma\nde los tres es el blanco, la ausencia de todos el negro\n\nCabe destacar, la diferencia entre el color luz ( proviene de una fuente\nluminosa coloreada)\n\n![fuente de luz.PNG](https://cdn.steemitimages.com/DQmXiB169rCXQAHzmLD4LX12aaRUkDAjSkDAYtCbSECsuk3/fuente%20de%20luz.PNG)",
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      "body": "![newton color.PNG](https://cdn.steemitimages.com/DQme1FMB2z9fWffbrAyBfBJMjFD2DPk3skNYnHPC3jhXQUw/newton%20color.PNG)\n\nFue Isaac Newton (1641-1727) quien tuvo\nlas primeras evidencias (1666) de que el\ncolor no existe. Encerrado en una pieza\noscura, Newton dejó pasar un pequeño\nhaz de luz blanca a través de un orificio.\nInterceptó esa luz con un pequeño cristal,\nun prisma de base triangular, y vio\n(percibió) que al pasar por el cristal el\nrayo de luz se descomponía y aparecían\nlos seis colores del espectro reflejados\nen la pared donde incidía el rayo de luz\noriginal: rojo, anaranjado, amarillo,\nverde, azul, añil y violeta.\n\n“El color no existe y no es una\ncaracterística de un objeto sino una\napreciación subjetiva”\n\n\n(https://cdn.steemitimages.com/DQmTuW8QsS71vheb7eSZ9pEapPnqgdKQTEFBJfxPHp43itJ/colores%20visibles%20y%20no%20visibles%20para%20el%20ojo%20humano.PNG)\n\nEl color es pues un hecho de la visión que resulta\nde las diferencias de percepciones del ojo a distintas\nlongitudes de onda que componen lo que\nse denomina el \"espectro\" de luz blanca reflejada\nen una hoja de papel. Estas ondas visibles son\naquellas cuya longitud de onda está comprendida\nentre los 400 y los 700 nanómetros; más allá\nde estos límites siguen existiendo radiaciones,\npero ya no son percibidos por nuestra vista.\n\nFuente, www.anibaldesigns.com",
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