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      "body": "Congratulations @newstagefilms! You received a personal award!\n\n<table><tr><td>https://steemitimages.com/70x70/http://steemitboard.com/@newstagefilms/birthday2.png</td><td>Happy Birthday! - You are on the Steem blockchain for 2 years!</td></tr></table>\n\n<sub>_You can view [your badges on your Steem Board](https://steemitboard.com/@newstagefilms) and compare to others on the [Steem Ranking](https://steemitboard.com/ranking/index.php?name=newstagefilms)_</sub>\n\n\n###### [Vote for @Steemitboard as a witness](https://v2.steemconnect.com/sign/account-witness-vote?witness=steemitboard&approve=1) to get one more award and increased upvotes!",
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      "body": "I'll definitely keep you posted, thank you for commenting!",
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      "title": "War Films - Why Dunkirk joins the ranks of originals",
      "body": "Hello, you beautiful Steemers. I’ve decided to take a look at a range of films, under the heading of ‘War Films’ and analyse why they stand out from the crowd. \n\nThe first film certainly isn't my favourite War film. But, it’s the first War film I’ve seen in a long time that has stood out to me. So, below is my analyse of!...\n\n![dunkirk-nolan-talks-script.jpg](https://steemitimages.com/DQmSRGTYkh3TxDGAYzbiY8GH3EiHen2uAtKbMffPuxfGbWu/dunkirk-nolan-talks-script.jpg)\n\nSince cinema began, War movies have been a staple product that Hollywood has churned out for movies goers. But, every once and awhile a film will come along that will bend what has been done before. Films such as *Apocalypse Now*, *All Quiet On The Western Front*, *Full Metal Jacket*, *A Thin Red Line* & *The Deer Hunter* to name but a few. My reasoning behind this is, that in a genre so awash with films all depicting similar themes and characters. These films managed to do something different. Something that audiences hadn’t seen before. Whether you like these movies personally or not isn’t the point. You can’t argue that they did something that viewers hadn’t seen before.\n\nAfter thinking long and hard about this, I am now going to put Dunkirk into this category. Which, for me, did something that was totally unlike anything I’d ever seen.\n\n![Dunkirk1842.jpg](https://steemitimages.com/DQmQYGYPALs53t5oC5rSkV5f8CjJkpudRo2HBmNt6Xg1f2K/Dunkirk1842.jpg)\n \nFrom the moment it begins it pulls you into the chaos of battle. While still slowly building the tension using all the cinematic elements with absolute procession.\n\nThe Score by Hans Zimmer never yields from the moment the film begins. The quintessential ticking clock that Nolan uses is there but is heightened more than ever. Using Shepherd Tones – another quintessential Nolan trick -  adds to the ominous pressure that time is always against our characters.\n\nAdded to this is the Sound Design which is done with such accuracy and precisions that it pulls you into the story and leaves you feeling as if at any moment a screeching fighter plane will roar overhead.\n\nVan Hoytema's cinematography is the one thing that separates this from other Nolan films. Instead of what is usually fast-paced shots throwing us around the scenes. Hoytema's shots are longer, slower, they almost bring you into the frame, leaving you to contemplate everything that you've seeing. Over the years Hoytema has become one of my favourite Cinematographers working today. Below is a video link that breaks down his style brilliantly.\n\nhttps://www.youtube.com/watch?v=-HdaIKxCo08\n\nAdded to all the above is probably what I consider the best element of this Movie, the editing. Choosing to have a non-linear timeline of the events serves to show that Nolan is a master when it comes to engaging an audience. \n\nThis could’ve been just another ‘man needs to get from point A to point B’ story. Breaking up the timeline, not only distorts the audiences perception of time and space, but it adds to the feeling that in this moment of horror and chaos, time for these soldiers moves differently. \n\n*“Unlike all other art forms, film is able to seize and render the passage of time, to stop it, and almost to possess it in infinity.” Andrei Tarkovsky*.\n\n**Spoiler Alert**\n\nA lot of people have made an issue with the fact that we never got to know any of the characters. This, more than anything, is what seemed to be the biggest complaint about the movie. I don’t disagree with  this totally. But, for me never understanding the characters is not the point. This is not a film about bravery or good versus evil. At its core, this is a film about survival. As is summed up when the character of Alex played by Harry Styles is congratulated by a Blind Man when he steps off the boat in England.\n\n**Blind Man**: *Well done lads.*\n\n**Alex**: *All we did was survive.*\n\n**Blind Man**: *That's enough.*\n\n![index123514.jpg](https://steemitimages.com/DQmTEXZDH67bbN4KjbkSZAyviWSNvgPv2j1Zp5fFN4zpkD8/index123514.jpg)\n\nIn an age of spectacle, Nolan has created something that is more of an event. There is no character arc’s, life lessons, shock factor or even over big star names in this story. It is simply about people surviving in the most hostile of environments. \n\nNolan has taken a genre of film and in my perspective, done something with it, that only some of the great filmmakers have been able to do… Make it their own.\n\nThoughts and opinions are always welcomed *- Don't forget to upvote.*\n\nSteem On!",
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      "title": "Thunderheart - Worth Another Watch",
      "body": "Thunderheart is one of those films that I saw when I was very young and have kept going back to watch over the years. With each new viewing through my life, I would pick up certain things or understand more than I did on the previous viewing. And, I can honestly say that after watching this again it still holds up.\n\n![1046624.jpg](https://steemitimages.com/DQmeTDddHkGm7ruWLCCFaZxUGutbXkSKr2DkmXqMpENLEhH/1046624.jpg)\n \nAs I stated in a previous post, part of what I want to do here is to tweak peoples interest so that they go back and watch the film. For me, I think it always better to go into a film not knowing too much about the story. This leaves us in the hands of the filmmakers and can make for a more enjoyable experience.\n\nFor that reason, I’m not going to go into the nuts and bolts of the story, instead, I'll just give a breakdown of the elements that I feel make this film worth-another-watch.\n\nBelow is a quick snippet summary. If you want to know more just go to IMBD.\n\n*By the book, FBI agent Ray Levoi (Val Kilmer) is assigned to investigate a murder of a tribal member named Leo Fast Elk, on run-down Native American Reservation in the Badlands of South Dakota. He’s chosen because he’s half Sioux Indian, a part of his life that Levoi has chosen to forget. He’s sent to work for another FBI Investigator named, Frank Coutelle (Sam Shepard).*\n\n*But once Levoi arrives he sees that things on the reservation aren’t quite cherry pie. The land is being disputed by a Native militia group known as ‘Arm’ who are ones being blamed for the murder of Leo. So, Levoi begins to have visions of his past, which really bums him out and messes with his head; then he teams up with a local Reservation Detective known a Walter Crow Horse (Graham Green). And the two begin to kick it to the white man big time.*\n\nSee IMBD for better summary below\n\nhttp://www.imdb.com/title/tt0105585/?ref_=ttqt_qt_tt\n\nBelow is a short analysis video we did for the film...enjoy!\n\nhttps://www.youtube.com/watch?v=e2JtgV_9ZtY&t=46s\n\n\n**Story** \nThis film is written by John Fusco and Directed by Michael Apted. Based on the real-life events on the Oglala Reservation. These events at Oglala were previously made into a documentary called ‘Incident at Oglala’ which was also Directed by Apted. It really shows that Apted has immersed himself in this world. This is a side of America that we don’t usually see. He shows us the majestic images of the South Dakota Terrain, contrasted with the degradation and squalor of the Native people living within it.\n\n*\"Third World, smack right dab, in the middle of America. It’s hard to believe, isn’t it\"?\n\t\t\t\t\t                    Det. Frank Coutelle.* \n\nApted and Fusco never let the story become too political. They find the perfect blend of an engaging murder mystery and well-defined characters mixed in a world that asks questions of the audience, without forcing its message down our throats.\n\n![mPNFHfbBhjUSLHutbaPu4qjQjbr.jpg](https://steemitimages.com/DQmW7cJ37MDBwmHiEhBxBfQL8j4yY9obyKa6sE185BxqVPF/mPNFHfbBhjUSLHutbaPu4qjQjbr.jpg)\n\n**Characters** \nAll the characters feel like they belong to the world of the story. Every character is here for a reason, and Apted has done a great job relating to the underlying themes or ideas that are running through the story. Even John Trudell’s character, Jimmy Looks Twice, who has only two or three pivotal scenes but manages to deliver the films driving message. \n\n*“We choose the right to be who we are. We know the difference between the reality of freedom and the illusion of freedom. There is a way to live with the earth and a way not to live with the earth. We choose the way of earth. It's about power”\nJimmy Looks Twice*\n\nAt the centre of this story is Det. Ray Levoi (Val Kilmer), a man who has tried to hide from his Indian heritage, not wanting to face the problems in his past. His character portrays the strongest reference to how America itself has faced its history, choosing instead to hide from it. \n\nAdd to this the chemistry between Walter Crow Horse (Graham Greene) and Det. Levoi is one of the best aspects of this movie. Both actors were coming off strong performances – Greene ‘Dances with Wolves’ and Val Kilmer ‘The Doors’. The relationship that builds between both characters, and the infused comedic elements in their scenes, really stops this film from just being another political who don it. \n\n![Thunderheart-scene-lobaido.jpg](https://steemitimages.com/DQmXhHgcubr24k6PoDHdoog1bAXcpS5DYFjmpFTkYKzNy1g/Thunderheart-scene-lobaido.jpg)\n\n\n**Theme** \nThunderheart gives us an engaging story with strong action sequences, mixed with a strong political backdrop. And because of this, the story is incredibly engaging and always asks questions of the audience. \n\nOne of the central question it asks of us is, in an ever-changing world, how do we address the injustices of the past, while trying to protect those more vulnerable within society. Which is it more important to live by, the law of the land; a land which was unjustly taken from previous generations, and a law which was then imposed on them. Or the soul of that land, something that we all must live by, the laws of which are bound in nature and are to be respected rather than enforced.\n\nAbove all, this is a really enjoyable film, with great performances and some excellent action sequences that never get overused. For a movie with a two-hour run-time, it never loses its pace. Sure, there are some small plot holes. One of the reasons I haven’t mention anything about Sam Shepard is that, for me, the character is never really fleshed out compared to the rest of the cast. But, even still Sheperd puts in a really solid performance, as always. \n\nBut, other than that, this movie is definitely worth-another-watch. \n\n*As I was drafting this, I heard the news that Sam Sheperd past away. In my opinion, he was one of the most underrated actors. He had an incredible career, and it saddens me that I won't see him in anything new. But, he left us with a great back catalogue of performances - Do yourselves a favour and watch 'Mud'. RIP*\n\n ![309334_original.png](https://steemitimages.com/DQmTLZ61uhh3FSDKacNkNdmVXpsKy78zLbwGpxsNZU1fAFm/309334_original.png)",
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