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      "body": "Hello steemians, this is my entry for Steemit's got talent week #2 , It´s my first ever cover that I made from one of my favorite songs ¨Everlong by Foo Fighters¨, I didn´t anything about recording or editing when I started this cover, it took me long time to figure it out, I used my phone´s camera to record it and an old laptop that I have, lol. But I´m very happy with what I got with the resources I had, I put a guitar solo that I made specially for this song (The original version doesn´t have a solo) around the Min 3:35, please let me know what you think guys.\n\nThis is a really good way for us to share our talents on Steemit!\n\nHere is my first submission :\n\nhttps://youtu.be/dt8vzS6F-bc \n\nIf you like my entry feel free to upvote and follow @viko77 \n\nAnd most importantly, Thanks for watching!!!",
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      "author": "cheetah",
      "body": "Hi! I am a robot. I just upvoted you! I found similar content that readers might be interested in:\nhttp://www.futureproducers.com/forums/music-business-and-networking/music-industry-legal-marketing/how-make-money-music-streaming-2017-a-539803/",
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      "body": "![download.jpg](https://steemitimages.com/DQmR9YPg296aJde81uk6EYUifWBwgJtrfLsgiuUCTwikMvb/download.jpg)\n\nWhat is Music Streaming?\n\nMusic streaming is another way of saying \"internet based song playing.\" A stream is essentially a song play on the internet. One stream is one play. The music industry is quickly heading toward an entirely online based song streaming industry. With physical record sales (and even digital downloads) dropping, streaming may be the best chance of raising any revenue for future projects.\nThe problem came with file sharing and piracy. In the old days, you had to buy the record or CD to hear to the music. If you let a friend borrow the record or CD, ...they could hear it, but you couldn't until they gave it back. With the internet and file sharing, people just dupicate the song file (.wav, .mp3, etc.), and can send it to essentially everybody on the internet, ...for free. This alone has absolutely destroyed the music industry. Money has fallen out of the worldwide music industry like crazy. What is the solution? It's Music Streaming.\n\nMusic streaming aims to please everybody. The fans and loyal music listeners get to hear music for free (with an occasional ad), or pay a small annual or monthly fee to remove the ads and get special privileges. This money is raised and sent right back to the creators of the songs, in fractions of pennies, but it adds up (the estimated payout amounts for each streaming service are listed below). With fans already accustomed to hearing free music, and artists needing money to fund their music, this new online plan is a win-win.\n\nHow Fast is Music Streaming Growing?\n\nAccroding to IFPI Global Music Report, music streaming is at a 60.4% increase in 2017. That's pretty big! 112 million more users have paid streaming subscriptions driving most this growth. That's not everybody though. The fans still using the free streaming platforms are getting hit with those pesky ads, which pay to display. With subscriptions and adverstisers, the revenue collection is growing fast.Streaming revenue now accounts for over 50% of total industry revenue. According to IFPI, download revenue is down -20.5%. Simply put, people aren't buying songs anymore. They want to stream them with an internet and data connection. This music streaming trend is on the rise, and it looks to continue with momentum into the future.\n\nHow Does Music Streaming Pay Artists?\n\nAs mentioned briefly before, music streaming pays artists based on a per-stream amount, often being fractions of pennies. This amount varies from streaming platform to platform. Pandora and Microsoft Groove are at the higher ends, while YouTube and Spotify are at the lower ends (see the various platforms and their payout estimations below).\n\nWhat are the Payout Estimates for Streaming Services?\n\nAccording to Careers in Music, the following numbers are the estimates of payout per stream on each major platform.\n\nApple Music – $0.0013 – $0.0178 \nDeezer – $0.001 – $0.005 \nGoogle Play – $0.007 – $0.0073 \nGuvera – $0.02 \nMicrosoft Groove – $0.0456 \nPandora – $0.017 for advertising streams and $0.022 for subscription streams \nNapster – $0.0019 – $0.008 \nSpotify – $0.0011 – $0.0084 \nTidal – $0.007 \nYouTube – $0.0003 – $0.037\n\nNote: these values are estimates.\n\nAlthough this doesn't look like a lot of money, it can add up. Once a song is mastered and distributed, it will start to make money. A song streamed a million times will generate roughly $1,100 - $8,400. A song streamed 100 million times (which does happen) will generate $110,000 - $840,000. These royalties combined with TV/Film placements, video game placements, commercial placements, merchandise sales, and digital downloads will drive your income as an artist.\n\nSo...I'm a new artist. How do I get my music on these streaming platforms?\n\nNew artists in the streaming game have a couple options to choose from. You can send your songs to each streaming platform on your own, but this isn't recommended because its so time consuming. The better way is to use a distribution service. Like the streaming platforms, there are a variety of distribution services. I personally use Distrokid. It's the cheapest and quickest service I've found. It costs a small annual fee, usually less than $10 per year. You can pay a little extra to get cool features like Shazam and YouTube content ID.\n\nSo, ...you've spent a week or two working on your new song. It's time to master it and get it out into the market place. With a distribution service like Distrokid, and the streaming platforms listed above, you'll have no trouble getting your music in front of your fans and begin making money.",
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      "author": "viko77",
      "body": "Just what I was looking for, just when I'm starting to learn how to use music edition software.",
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      "author": "jetblake",
      "body": "Yes. That would be awesome and a multi million dollar idea!!!",
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      "author": "viko77",
      "body": "I'm still waiting for them to take some old concerts footage and convert them to VR, so we can enjoy concerts from bands or artist that no longer exist.",
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      "author": "jetblake",
      "body": "You are 100% correct. Sporting events probably as well",
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      "body": "Exactly, one day we will not longer need to buy tickets for the concerts, just VR sets and some decent internet connection.",
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      "body": "VR and Music?! The new trend?\n\n![VR Music.jpg](https://steemitimages.com/DQmfSwAfD6i6ejXjQFpp1icV6zcNcweDqZ5aiKTPW4nNaac/VR%20Music.jpg)\n\nRight now, VR is getting a lot of attention and hype, especially in the music world. Artists like Run the Jewels, Björk, and U2 are already getting their feet wet with the still-developing tech, creating 360-degree music videos and musical experiences. There's a lot of talk about how VR could potentially change the game in terms of live music and festivals, with publications like Noisey noting that festivals seem to be \"gearing up for an arms race in VR experiences.\" People are considering possibilities from enhanced, 360-degree concert streaming, to allowing more fans to view the show from the first row, to even allowing fans to \"perform\" on stage along with their favorite artists, all through VR. So far, my only experiences with VR have been at either mall kiosks or contemporary art museums. Obviously VR, especially high-quality VR, isn't the most accessible way of consuming content at the moment, but if it becomes more accessible, it has potential to totally shake up the way we consume and interact with music.\n\nPersonally, I'm super excited by the thought of VR - it's right up there next to 3D printers on my list of cool new things. For some reason, I always think of the Sims games when I think about VR - something about being able to act in a different world makes both things really appealing, which is only amplified with VR. \n\nThe only thing I fear from VR (aside from the Ray Bradbury's conception of it in \"The Veldt,\") is that it could go the same way as 3D movies and TV. For a little while back in 2010, 3D was pretty much hyped up as much as VR is right now. Avatar was huge because people were curious to see the cutting-edge 3D technology. The novelty quickly wore off though, and the negative aspects of 3D prevented it from living up to the hype; it was more difficult and expensive to set up and use a 3D TV in the average household, and even people who bought 3D TVs generally ended up never using the function anyway.\n\nOne of the most important things that will determine whether VR will live up to its potential, aside from whether its technical issues can be solved, will be the value of the content. I don't know about anybody else, but I don't think I'd go out and buy a VR system just because I can watch a concert \"from the front row\" with it. The only real difference between that and watching a regular old 2D video of the concert is that you can turn around and look everywhere, which kind of seems like a novelty that would be cool at first but quickly wear off. People who create content for VR need to figure out how to make things that actually can't be done with just video, because otherwise why would anyone go to the trouble after it's no longer novel? Interactivity will need to be a part of it. \n\nOf course, I don't really have a specific idea about what the future of VR in music should be - otherwise, I'd probably be trying to make it happen right now, because VR is such a cool concept that I feel like whatever that special, undiscovered possibility is, I need it in my life. With so much potential to be revolutionary, I just hope VR is treated like the new and exciting thing it is, rather than an upgrade to video and live music experiences.",
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      "author": "viko77",
      "body": "Actually I can´t imagine my life without music, it helped me through many difficult times, when I started creating music by myself I felt so good knowing that I was part of something I love. Good post mate.",
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      "body": "Thanks for your comment.",
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      "body": "If we look at the daily chart of Siacoin, we can see that the market is at the support zone . Bullish divergence and double bottom chart pattern give us a trend reversal signal. It means that we have to be ready to open long trades based on breakout signals. If price bounces from the support zone and breaks the downtrend line, it will be confirmation for further upward movement. We'll be able to open long trades with stop orders below the support zone . The next confirmation for the upward movement will be a breakout above the previous swing high. If price can break this level, we'll have a new buy signal and confirmation for the up trend. We'll be able to add some volume to the previous long positions. Profit targets for long trades should be at resistance levels. If the market breaks the support zone , we'll see !\n\n![Siacoin.JPG](https://steemitimages.com/DQmagmWGizKXdpF9FYxhoAjVa1nvuKtkNtnNsYDSWCpZgxm/Siacoin.JPG)",
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