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      "body": "https://i2.wp.com/blog.derrama.org.pe/wp-content/uploads/2015/07/maestro.jpg\nUn maestro quería enseñarles una\nlección especial a sus alumnos, y para\nello les dio la oportunidad de escoger\nentre tres exámenes: uno de cincuenta\npreguntas, uno de cuarenta y uno de\ntreinta. A los que escogieron el de\ntreinta les puso una «C», sin importar\nque hubieran contestado correctamente\ntodas las preguntas. A los que\nescogieron el de cuarenta les puso una\n«B», aun cuando más de la mitad de las\nrespuestas estuviera mal. Y a los que\nescogieron el de cincuenta les puso una\n«A», aunque se hubieran equivocado en\ncasi todas.\nComo los estudiantes no entendían\nnada, el maestro les explicó: «Queridos\nalumnos: permítanme decirles que yo no\nestaba examinando sus conocimientos,\nsino su voluntad de apuntar a lo alto».\n\nCuando le apuntamos a lo alto,\nestamos más cerca de nuestros sueños\nque si nos conformamos con pequeños\nobjetivos.",
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      "body": "https://steemitimages.com/0x0/http://mxcdn02.mundotkm.com/2017/11/aurrera-2.jpg\nHe goes to the store and says to the store\n-Pepito: Good lady, give me some batteries for my cart\nhttps://steemitimages.com/0x0/http://1.bp.blogspot.com/-_TAoKCCqmwA/VP329VRNo_I/AAAAAAAAO18/38dbU_JiCu4/s1600/pila.jpg\n-Tedera: Bring me your cart I'll put them on\n-Pepito: I put them or nothing\n-Tedera: Then I do not sell you anything\n-Pepito: Do not sell me anything\nPepito leaves and arrives the next day\n-Pepito: Buenas gives me a bag of seeds to plant\nhttps://steemitimages.com/0x0/http://moziru.com/images/seeds-clipart-flower-seed-18.jpg\n-Tedera: Bring me your pot, I'll plant them\n-Pit: I planto them or nothing\n-Tedera: Then I do not sell you anything\n-Pepito: Do not sell anything, go pepito and return the next day with a black bag in his hand and says:\n-Pepito: Lady put your hand to the bag\nThe Tiendera puts it in and says:\n-Tendera: Pepito this is poop\n-Pepito: Give me two rolls of toilet paper please\nhttps://steemitimages.com/0x0/http://www.tipsaludable.com/wp-content/uploads/2016/02/tu-popo-habla-de-tu-salud2.jpg",
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      "body": "http://mxcdn02.mundotkm.com/2017/11/aurrera-2.jpg\nVa pepito a la tienda y le dice a la tiendera\n-Pepito:Buenas señora me da unas pilas para mi carrito\nhttp://1.bp.blogspot.com/-_TAoKCCqmwA/VP329VRNo_I/AAAAAAAAO18/38dbU_JiCu4/s1600/pila.jpg\n-Tiendera:Traeme tu carrito yo te las pongo\n-Pepito:Se las coloco yo o nada\n-Tiendera:Entonces no te vendo nada\n-Pepito:No me venda nada\nSe va pepito y llega al otro dia \n-Pepito:Buenas me da una bolsa de semillas para plantar \nhttp://moziru.com/images/seeds-clipart-flower-seed-18.jpg\n-Tiendera:Traeme tu maceta yo te las planto\n-Pepito:Las planto yo o nada\n-Tiendera: Entonces no te vendo nada\n-Pepito:No me venda nada,se va pepito y vuelve al otro dia con una bolsa negra en la mano y dice:\n-Pepito:Señora meta la mano a la bolsa\nLa Tiendera la mete y dice:\n-Tiendera: Pepito esto es caca\n-Pepito:Me da dos rollos de papel higienico por favor\nhttp://www.tipsaludable.com/wp-content/uploads/2016/02/tu-popo-habla-de-tu-salud2.jpg",
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      "body": "https://steemitimages.com/0x0/http://www.shropshirelive.com/wp-content/uploads/2015/07/heart-529607_1280.jpg\n\nLuckily I was alone in the living room of my apartment, because\nfinish watching that movie I could not stop a tear from falling for me\nthe face seized by the emotion of the end.\nThe problem was that it was a romantic movie and it\nsupposes that a worthy man should not cry in them. Must smile, with\nmale sufficiency, and say while shaking his head comprehensively\nthat of \"women ...\" That's why I was grateful for my loneliness at that moment,\nWell, my reaction was not exactly that.\nAfter a few moments of emotional recovery my mind started to\nanalyze the argument of the film. The very original storyline consisted of\nthe doubts that the protagonist had about which of two boys to give their love.\nOne of them was rich and wicked, and despite how much fun it is when\nOne is of such character, according to the movie he was miserable. The other poor and good,\nand in spite of how boring it usually is when one is of this other character, according to\nthe film was happy.\nThe girlfriends of the protagonist were divided in two well-defined sides to the\ntime to advise you. Some warned him to be careful as love comes out\nthrough the window when the fridge is empty -or something similar- ... What if the\nfuture of the children ... That if she deserved to live like a queen ... In\ndefinitively, that he left with the rich man.\nThe other side, on the other hand, told him that the important thing was to follow the\ndictates of the heart ... What if the man of his life ... But, above all,\ninsisted on three words that apparently sum up a million years of\nevolution of man, and brainy studies on human psychology: I KNOW\nYOURSELF. And after this final argument the protagonist of the film\nI ran in slow motion, on a deserted beach, to hug with the poor boy\nwhile a sweet ballad sounded; and it is there, precisely, where they begin\nthe knots in the spectators' throat. It's understandable, probably\nyou too would have passed after contemplating such a tender scene.\nFinally, a while later, after overcoming the anguish caused by emotion,\nThe transcendental questions began in my restless mind. Actually,\nWhat is that of being oneself? Does anyone know what it means? Or better,\nDoes anyone know how you can stop being yourself ...?\n\nOn the other hand, does anyone know why that argument leads the girl to choose\nthe poor boy? And finally, does anyone know where I can find the beach\nLonely from the movie? I would appreciate any information to this last\nrespect.\nAs the human mind is as it is, some speculations lead to others.\nWhy all the films end when the protagonists decide\nget marry? Why does none start right after the wedding? What's going on\nafter?\nThese questions took me a long time to reflect on, so that\nbore you with the downtime used in those reflections I the\nI jump and enter fully into matter.\nLook, love goes through four phases: falling in love, crisis, betrayal\nand abandonment. It is precisely when we are immersed in the first\nphase when we sign the marriage contract. During the other three phases\nIt is when we regret having done it.\nThe statistics are devastating in this respect. Sixty percent of the\ncouples are separated before ten years. Why? Because passion - it's law\nnatural- has been extinguished.\nAs a consequence I asked myself: Has it always been like this?\nGoing to the source of supreme wisdom -Zoilo, who is very cultured\nsince he reads books- I found the answer: romanticism; the damn\nSo overrated romanticism is the culprit.\nThis was the one that, in short, was introducing the custom of \"do you say that\nyou love me and you want me? ... Well, sign here. \" And then it started to happen that\nWhen \"you love and want me\" disappeared, the only thing left was the\nmarriage contract and the mortgage on the house.\nIn a mental pirouette, worthy of the best athlete of the Cirque du Soleil, I tried\nimagine what a movie would be like to start at the end. That is, by\nWedding. Predictably once the honeymoon is over, and that the sexual fury\nhad calmed down, the first symptoms of future problems would begin\nwhen he noticed in the next neighbor attributes that until then\nThey had gone unnoticed; and she, on the other hand, will find them in the\ngardener. We would already be facing predictable maritime storms.\n\nBut it is curious to observe the difference of behaviors that in these\nCritical situations have men and women. In the movie two of the friends\ncouncilors were divorced, and while their ex-husbands reacted as\nwho hides a sin and feels guilty, they, I have the theory that\nThey bring a factory manual to apply in the cases of separations. Namely, if\nit is the woman who leaves the couple they will all say unanimously that he had it\ndeserved, because he did not pay enough attention to it; if the matter has been that the\ngirl has run away with another guy, they will justify it",
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      "body": "One of my mother's works, proud of her. I love you mom, you're the best.\n\n***#Enamoredwiththeminimalwork.***\n\nhttps://steemitimages.com/DQmafVJ1vc4BD3hVLyfTXYnhRSmEetLmDiCHXFGPxBopQHY/1501551284510.jpg\n\nJoin FJ Creation on Instagram",
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      "body": "Uno de los trabajos de mi madre, orgullosa de ella. Te amo mama eres la mejor .\n\n***#Enamoradaconeltrabajodemimadre.***\n\n![1501551284510.jpg](https://steemitimages.com/DQmafVJ1vc4BD3hVLyfTXYnhRSmEetLmDiCHXFGPxBopQHY/1501551284510.jpg)\n\núnete a ***fj creacione*** en instagram",
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      "body": "http://www.shropshirelive.com/wp-content/uploads/2015/07/heart-529607_1280.jpg\n\n  Menos mal que estaba solo en el salón de mi apartamento, porque al\nterminar de ver aquella película no pude evitar que una lágrima me cayera por\nel rostro embargado por la emoción del final.\nEl problema consistía en que se trataba de una película romántica y se\nsupone que un digno varón no debe llorar en ellas. Debe sonreír, con\nmasculina suficiencia, y decir mientras mueve la cabeza comprensivamente\naquello de “mujeres…”. Por eso era de agradecer mi soledad en ese momento,\npues mi reacción no había sido esa precisamente.\nTras unos instantes de recuperación emocional mi mente comenzó a\nanalizar el argumento del film. La muy original base argumental consistía en\nlas dudas que tenía la protagonista sobre a cual de dos chicos entregar su amor.\nUno de ellos era rico y perverso, y a pesar de lo divertido que suele ser cuando\nse es de tal carácter, según la película era desgraciado. El otro pobre y bueno,\ny a pesar de lo aburrido que suele ser cuando se es de este otro carácter, según\nel film era feliz.\nLas amigas de la protagonista se dividían en dos bandos bien definidos a la\nhora de aconsejarle. Unas le advertían que tuviera cuidado pues el amor sale\npor la ventana cuando la nevera está vacía –o algo similar-… Que si el\nporvenir de los hijos… Que si ella se merecía vivir como una reina... En\ndefinitiva, que se fuese con el rico.\nEl otro bando, por el contrario, le decía que lo importante era seguir los\ndictados del corazón… Que si el hombre de su vida… Pero, sobre todo,\ninsistían en tres palabras que al parecer resumen un millón de años de\nevolución del hombre, y de sesudos estudios sobre la psicología humana: SÉ\nTÚ MISMA. Y tras este argumento definitivo la protagonista de la película\ncorría a cámara lenta, en una playa desierta, a abrazarse con el chico pobre\nmientras sonaba una dulce balada; y es ahí, precisamente, donde comienzan\nlos nudos en la garganta de los espectadores. Es comprensible, probablemente\na usted también le habría pasado tras contemplar tan tierna escena.\nEn fin, rato más tarde, tras vencer la congoja producto de la emoción,\ncomenzaron en mi inquieta mente las preguntas trascendentales. ¿En realidad,\nqué es eso de ser uno mismo? ¿Alguien sabe lo que significa? O mejor,\n¿alguien sabe cómo se puede dejar de ser uno mismo…?\n\n Por otro lado, ¿alguien sabe por qué ese argumento lleva a la chica a elegir\nal chico pobre? Y, por último, ¿alguien sabe dónde puedo encontrar la playa\nsolitaria de la película? Agradecería cualquier información a este último\nrespecto.\n Como la mente humana es como es, unas especulaciones llevan a otras.\n¿Por qué todas las películas terminan cuando los protagonistas deciden\ncasarse? ¿Por qué ninguna comienza justo tras la boda? ¿Qué es lo que pasa\ndespués?\n Estas cuestiones me llevaron largo tiempo de reflexión, así que para no\naburrirles con los tiempos muertos empleados en dichas reflexiones me los\nsalto y entro de lleno en materia.\n Mire, el amor pasa por cuatro fases: el enamoramiento, la crisis, la traición\ny el abandono. Es, precisamente, cuando estamos sumergidos en la primera\nfase cuando firmamos el contrato de matrimonio. Durante las otras tres fases\nes cuando nos arrepentimos de haberlo hecho.\nLas estadísticas son demoledoras al respecto. El sesenta por ciento de las\nparejas se separan antes de diez años. ¿Por qué? Porque la pasión –es ley\nnatural- se ha ido apagando.\nComo consecuencia me pregunté: ¿Siempre ha sido así?\nAcudiendo a la fuente de la sabiduría suprema –Zoilo, que es muy culto\npues lee libros- encontré la respuesta: el romanticismo; el puñetero\nromanticismo tan sobrevalorado es el culpable.\nEste fue el que, en síntesis, fue introduciendo la costumbre de “¿dices que\nme quieres y me deseas?... Pues firma aquí”. Y entonces comenzó a pasar que\ncuando “el me quieres y deseas” desaparecía, lo único que quedaba era el\ncontrato de matrimonio y la hipoteca de la casa.\nEn una pirueta mental, digna del mejor atleta del Circo del Sol, intenté\nimaginarme como sería una película que comenzara por el final. Es decir, por\nla boda. Previsiblemente una vez pasada la luna de miel, y que el furor sexual\nse hubiese calmado, los primeros síntomas de futuros problemas comenzarían\ncuando él advirtiera en la vecina de al lado atributos que hasta entonces le\nhabían pasado desapercibidos; y ella, por su lado, los encontrara en el\njardinero. Ya estaríamos ante previsibles tormentas matrimoniales.\n\n Pero es curioso observar la diferencia de comportamientos que en estas\ncríticas situaciones tienen hombres y mujeres. En la película dos de las amigas\nconsejeras estaban divorciadas, y mientras sus exmaridos reaccionaban como\nel que esconde un pecado y se siente culpable, ellas, tengo la teoría de que\ntraen un manual de fábrica a aplicar en los casos de separaciones. A saber, si\nes la mujer la que deja la pareja todas dirán unánimemente que él se lo tenía\nmerecido, pues no le hacía suficiente caso; si el asunto ha consistido en que la\nchica se ha largado con otro tipo, la justificarán entre suspiros preñados de\nromanticismo, exclamando: ¡Qué se le va hacer, el amor lo puede todo! ¡Es el\nhombre de su vida!\n Por el contrario, si es él el que toma la iniciativa, el calificativo más suave\nque recibirá –en aplicación de tan estricto manual- es el de cerdo. Y si se ha\nido con otra, esta será definida como prostituta y él como algo irreproducible\npara cualquier oído decente.\n El colmo de los reproches recurrente en estos casos suele ser el afirmar que\nél es un puerco porque ella le había entregado lo mejor de su juventud. Pero\neso sí, jamás oirás esa tesis – la de la juventud- cuando es el hombre el que\ndeja la pareja. Como si nosotros no cumpliéramos años…\n En cualquier caso ese reproche, si se piensa con un poco de detenimiento,\ncontradice profundamente la argumentación romántica de la película, pues lo\nque subyace bajo él es: “si hubiese sabido lo que iba a pasar, ni con violines y\nplayas desiertas me hubiera decidido por el pobre. Hubiese aceptado la oferta\nde boda del rico y hoy viviría como una reina, que es lo que me merezco”.\nA todo esto siguen las preguntas. ¿Si la época del noviazgo es tan bonita\npor qué ponemos fin a ella con el matrimonio? Cuando nos enamoramos de\nuna chica –o viceversa- ¿por qué convertimos en contrato nuestra eventual\npasión? ¿Por qué los seres humanos cometemos una y otra vez el error de\nmezclar el romanticismo, el amor o el sexo con contratos? Si no fuera algo tan\nestúpidamente enraizado en nuestras costumbres, y lo viéramos con un poco\nde perspectiva, diríamos que es peor que absurdo, es, simplemente, ridículo.\nAnalícelo conmigo. Vivimos una sociedad en la que si un medicamento\nproduce un uno por mil de efectos secundarios es eliminado inmediatamente.\nSi una maquina tiene algún defecto por el que remotamente se pudiera\nproducir un accidente, la retiramos del mercado de manera fulminante. En\ncambio, el matrimonio tiene un porcentaje de fallo superior al 60% y ahí sigue\ntan fresco, como institución inamovible.\n\n Pero esto no ha sido siempre así. Los romanos –me ha dicho mi amigo\nZoilo que es muy culto pues lee libros- lo tenían muy bien resuelto. El\nmatrimonio, entonces, era un contrato entre dos personas que con\ndeterminadas condiciones ponían en común su hacienda y con ella mantenían\nla sociedad conyugal, incluidos los hijos. Los aspectos pasionales estaban\nalejados de esta relación contractual. Era lo que peyorativamente hoy\ncalificamos de “casarse por interés”. Aunque yo, usted me disculpará, lo\ndefiniría como casarse pensando con la cabeza y no con otras partes menos\nnobles de nuestra anatomía.\n Más o menos este sistema de la sociedad conyugal lo hemos copiado de\nellos. Pero aquí viene lo diferente: en esos tiempos, tras el matrimonio, cada\nconyugue seguía manteniendo la libertad de enamorarse y vivir las pasiones\ncorrespondientes tantas veces como la vida le ofreciera la oportunidad, y no\nestaba mal visto socialmente. A este respecto me contó Zoilo que Seneca\nconsideraba afortunado al marido cuya mujer se conformaba solo con cuatro o\ncinco amantes; incluso existen inscripciones en tumbas romanas donde\nexpresan con extrañeza: “permaneció fiel a su marido durante treinta años,\nsolo tuvo tres amantes”.\n En definitiva, eran más listos que nosotros y tenían mejor resuelto el tema\nde la convivencia matrimonial. Sencillamente no mezclaban reacciones\nquímicas emocionales con contratos, y entendían que la fidelidad no es una\nparte de la lealtad. Es solo sexo.\nTras tan profundo análisis, finalmente, conseguí entender por qué las\npelículas nunca comienzan después de la boda: porque la gente no va al cine a\nver las mismas discusiones que tiene en casa y encima pagando una entrada. Y\nlos productores cinematográficos, que son gente avispada, así lo han\nentendido.\n Tras todas estas sesudas reflexiones solo me queda la convicción de que el\nmejor regalo de bodas que puedo hacer a un amigo cuando me anuncie su\nintención de contraer matrimonio, es decirle: ¡Por Dios, no te cases!",
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      "body": "Gracias igual",
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      "body": "https://steemitimages.com/0x0/http://s3.amazonaws.com/static.iurd.com.ve/ebivenezuela/wp-content/uploads/sites/7/2013/11/La-ranita-sorda-08-11-2013.jpg\n\nA group of frogs was traveling through the forest, when suddenly\ntwo of them fell into a deep well. The others met\naround the hole and, when they saw how deep it was, they said\nto the falls that, for practical purposes, should be considered dead. Without\nHowever, they kept trying to get out of the hole with all their strength. The\nothers told him that these efforts would be useless.\n\nhttps://steemitimages.com/0x0/http://cdn5.upsocl.com/wp-content/uploads/2014/11/Captura-de-pantalla-2014-11-10-a-las-12.47.35.jpg\n\nFinally, one of the frogs answered what the others were saying,\nfor defeated and died.\n\nhttps://steemitimages.com/0x0/https://ugc.kn3.net/i/origin/http://2.bp.blogspot.com/-rOca4teogOY/TbWxYpNgr5I/AAAAAAAAASQ/En4qLmWfGYE/s1600/rana%2Bdescansando%2Bcuando%2Bel%2Bcansancio.jpg\n\nThe other continued to jump with as much effort as\nit was possible. The crowd shouted that it was useless but the frog was still\njumping, each time with more force, until finally came out of the hole. The\nothers asked him \"Did not you hear what we told you?\" the little frog\nshe explained that she was deaf, and believed that the others were encouraging her from the\nedge to strive more and more to go out of hollow.\n\n***The word has the power of life and death. A voice of encouragement to someone\nfeeling discouraged can help you finish the day, while\nthat a negative word can end up destroying them. Anyone\ncan say words that steal from others the spirit that allows them\ncontinue the struggle in the midst of difficult times. Be careful with what\nwhat we say, but above all with what we hear.***",
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      "body": "you're right",
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      "author": "artaudiana",
      "body": "a good message, good advice. We are in difficult times, we do not also do the difficult ones",
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      "body": "http://s3.amazonaws.com/static.iurd.com.ve/ebivenezuela/wp-content/uploads/sites/7/2013/11/La-ranita-sorda-08-11-2013.jpg\n\nUn grupo de ranas viajaba por el bosque,cuando de repente\n dos de ellas cayeron en un pozo profundo. Las demás se reunieron\n alrededor del agujero y, cuando vieron lo hondo que era, le dijeron\n a las caídas que, para efectos prácticos, debían darse por muertas. Sin\n embargo, ellas seguían tratando de salir del hoyo con todas sus fuerzas. Las\n otras le decían que eso esfuerzos serian inútiles.\n\nhttp://cdn5.upsocl.com/wp-content/uploads/2014/11/Captura-de-pantalla-2014-11-10-a-las-12.47.35.jpg\n\n Finalmente , una de las ranas atendió a lo que las demás decían, se dio\n por vencida y murió. \n\nhttps://ugc.kn3.net/i/origin/http://2.bp.blogspot.com/-rOca4teogOY/TbWxYpNgr5I/AAAAAAAAASQ/En4qLmWfGYE/s1600/rana%2Bdescansando%2Bcuando%2Bel%2Bcansancio.jpg\nLa otra continuo saltando con tanto esfuerzo como\n le era posible. La multitud le gritaba que era inútil pero la rana seguía \nsaltando, cada vez con mas fuerza, hasta que final mente salio del hoyo. Las\n otras le preguntaron \"¿No escuchabas lo que te decíamos?\"la ranita les \nexplico que era sorda, y creía que las demás la estaban animando desde el\n borde a esforzarse mas y mas para salir de hueco.\n\n\n***La palabra tiene poder de vida y muerte. Una voz de aliento a alguien\n que se siente desanimada puede ayudarle a terminar el día, mientras\nque una palabra negativa puede acabar por destruirlos. Cualquiera \npuede decir palabras que roben a los demás el espíritu que les permite\n seguir la lucha en medio de tiempos difíciles. Tengamos cuidado con lo\n que decimos, pero sobre todo con lo que escuchamos.***",
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      "author": "spencercoffman",
      "body": "You're welcome\n[See My Latest Post](https://steemit.com/christian-trail/@spencercoffman/verse-of-the-day-matthew-1-21-she-will-give-birth-to-a-son)",
      "json_metadata": "{\"tags\":[\"introduceyourself\"],\"links\":[\"https://steemit.com/christian-trail/@spencercoffman/verse-of-the-day-matthew-1-21-she-will-give-birth-to-a-son\"],\"app\":\"steemit/0.1\"}",
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      "author": "comicart123",
      "body": "Thanks you",
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